The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“I turned on him, all the friendship and the memories of the years
behind swept away. I didn’t know what I was saying. I’m not sure now;
something about the things one doesn’t do, that it wasn’t war the way we
fought it to drop a man thousands of feet who was only doing his duty.
It was murder. Over and over I said it—that word murder. He wasn’t my
friend; he was a murderer!
“I went out of the tent to escape his staring, pleading eyes—child’s
eyes. Even while I was saying the words I knew he didn’t understand. He
had done what he thought justifiable, necessary, he wanted to get back
to me, and I called him a murderer.
“Once just as I started for the mess to get him something to eat I
thought I heard him call my name; but I went on. I needed more time.
“I was gone perhaps ten minutes. When I reëntered the tent it was empty.
Esmè was nowhere about, but I didn’t think of looking for him then, for
I thought he’d probably joined one of the other men. Later I got
worried, and we started a search. He wasn’t in our camp. No one had seen
him.
“We waited and wondered. I prayed. Then I found a little scribbled note
knocking about among my things.
“We never found any trace even of him or the smallest clue, just the
note; that’s all I have left of Esmè. Here it is:
‘You’ve tried to tell me your opinion of the trick I played on
an enemy. In any other arm of the service what I did would have
gone, been all right, been smart. Isn’t that what you meant,
Marston? But with our boys, because we’ve chosen to have a
different, a higher standard, because we fight cleanly, what I
did was—dirty. Well, I understand. You and the other men _are_
different; I’m not, but I can pay. I’m going back. Don’t try to
stop me before I reach their lines. You can’t. I go to render
unto Cæsar. A life for a life. To give them at least my death,
since I can no longer offer even that proudly to France.’
“There has been bravery and heroism in the war, but Esmè went back; he
knew to what—yet he went.
“God grant he is dead! I tried to make words express an inexpressible
thing. All my life to live out—remembering, knowing I killed my friend!”
Perhaps Marston went on speaking; I don’t know. I only remember the
broken stem of his glass, the stain that was spreading slowly over the
white cloth, and the dripping, dripping red of his hands.
IMAGINATION
_By_ GORDON HALL GEROULD
From _Scribner’s Magazine_
_Copyright, 1918, by Charles Scribner’s Sons._
_Copyright, 1919, by Gordon Hall Gerould._
As I gave my coat and hat to the boy, I caught sight of Orrington,
waddling into the farther reaches of the club just ahead of me. “Here’s
luck!” I thought to myself, and with a few hasty strides overtook him.
Public-domain text, read in full here on John Shaqi.
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