The best short stories of 1918, and the yearbook of the American short story
General
The best short stories of 1918, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Up went his hand to slay. While he had raved and chattered at me, my
head had been clearing. As he stiffened for the death stroke, I reached
for the down-coming hand and caught his wrist—the wrist whose sinewy
muscles were driving the knife home. I held his arm back. He clutched
for my throat with his other hand. We strove, and I rolled him and came
on top. Up I surged, dragging him with me. With one awful thrust I sent
him crashing against the wall.
He had barely come to rest against the teak beams before his hand went
up and I dodged—just as his knife whizzed past my ear. Plucking the
great dagger of Ali Beg from my bosom, I cast it, in the manner of the
Inner Mongolian Mohammedans. The great blade plunged forward. I had
pinned him to the wall as a butterfly collector pins a specimen to a
card in his collecting box.
I stepped forward to get my dagger. Pra Oom Bwaht, his throat full of
blood, his heart seared with black hatred, glared at me.
“The Curse of Siva remain on you and yours....”
So he died.
Plucking my dagger from him, I kicked over the glowing brazier and raced
for the rock spit’s end as he crashed down—mere battered clay.
As I came to it, the last of the rain for the night whipped my face,
reviving me. The moon peeped forth. There was no teak log there!
Another rift in the clouds made plain my error. The flood was over all
former flood-marks. The teak log, as the moon’s second peep showed, was
on the point of rocks, but they were now in the stream, many paces from
the present shore-line. The log, caught on the jagged stones, hung and
swayed. It was just on the point of going out. I could see a dark mass,
midway of the log. “It is Nagy N’Yang,” I thought. The hut was blazing
now from the brazier’s scattered coals, giving me plenty of light.
I glanced about the rock spit. A few paces to the right something black
showed in the gloom. I went to it quickly, hoping to find a boat. It was
a great chest. Feeling for the key or handle, I clutched a catch. I
turned it, threw up the lid, just as the moon came forth.
Out of the depths of the box reared a great python, hissing horribly. I
recoiled in terror. The box, as I saw in the moon-glow, was the snake
box of Karen temple, the one in which Nagy N’Yang’s serpent had been
kept.
Pra Oom Bwaht had had it carried to Kalgai Gorge and also to our rock
spit that night to suit some of his own black schemes of vengeance. His
bearers had carried the box unwittingly. While I trembled, the great
snake glided to the river’s brink and disappeared. I now had the big
chest and thought to use it as a rough boat to rescue my love.
Then I turned to view the teak log again. I tugged at the chest. It was
too heavy for me. Another fitful rift of moonlight came, and I saw the
giant teak log sway. Without waiting for more ill fortune, I plunged
into the river and swam through the swirling eddies for the log.
Public-domain text, read in full here on John Shaqi.
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