The best short stories of 1919, and the yearbook of the American short story
General
The best short stories of 1919, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The vagabond raises his eyes, his body flat and motionless. "All she
wanted," he says sullenly, "was to write a page 'cause it was duty." It
was another duty which had made her take him in that freezing night. He
is resentful toward some thing or power--he does not know what--that
Molly was prevented from writing this message.
"I might have stayed till I learned how to write it for her," he says;
and all at once is tremendously sorry that it is too late to do this;
too late to knock on the cottage door and be welcomed by the old dame to
the cheerful room; to show he would keep his promise; too late to leave
pull-down and trample-under behind him and begin all over again.
Just this far Tim Cannon lets his musings lead him; then fiercely, in a
scorn of his own musings and loneliness, rouses up to sit a while,
cross-legged, darting deliberately the untamable blue eye to the dark
corners, and listening, as if daring all these bright memories, which
would lure him from his purpose of being boss like Regan, to come out
in the open and halt him.
Presently in cold defiance of them he tears across the page of yellowed
writing; no doubt, remembering Dan, a spirit looks wistfully down upon
the vagabond with the scroll in his fist. Again and again he tears
deliberately. The very scratches of Molly's message are tatters. Tim
Cannon is himself again.
And the great door at the end of the building rolls back and a towering
figure stands whipping in the storm; slowly he comes up to the lantern;
the visitor is Regan.
"Where is Craney, who owns the car line?" he asks.
"He is gone; I am the manager," says Tim, rising. And after he has
explained, "No matter," nods Regan.
At the great man's feet lies his mother's message, and as he muses with
resentment and wonder that circumstances should drive him here to parley
with a ragged boy on the highway of his destiny the last tatters drift
away on the draft which has followed him in from the storm. 'T is a
ghostly way Fate has with things neglected.
"The car line could be made to pay," begins Regan craftily, "and I might
risk a few dollars to buy it in."
"Craney would sell if he was by," replies the boy.
"No matter; you can put through the deal as his manager, making all the
money for yourself. Perhaps fifty dollars," says Regan, careful not to
overbid and make Tim think the deal of too great importance.
There is a tone and movement to the air round Regan which electrifies
his companion, and at once they are conspiring together.
"You will abandon the run; suspend the service," says Regan,
deliberating; "and because your regular passengers might take hold and
operate it themselves you shall drive the horse away into the woods with
one trace broken and his side plastered over with clay as if he has been
in an accident--having first wrecked the car."
Public-domain text, read in full here on John Shaqi.
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