The best short stories of 1919, and the yearbook of the American short story
General
The best short stories of 1919, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
I tell you his tone made my heart bleed. She didn't answer, but looked
out into the fog in that absorbed, happy way of hers.
"Moira," he said again, "Moira!" He couldn't get her; he couldn't reach
her, any more than if she'd stepped into another world. He put his hands
on her shoulders and turned her to him.
"Moira!" he said; his voice was husky with fear. "What do you find out
there?" She turned to him as in a dream. She looked at him and she
looked like some spirit when she spoke.
"I find the one I love!" she said.
"What do you mean?" he said. "What do you mean?"
"The one I love," she said again.
"Do you mean there's someone you love better than you do me?"
She nodded, with that flooding look of wonder on her face.
"I didn't know," she said next. "I didn't know--not--until now--all
about it."
"All about it?" he cried.
"Yes, the meaning of what I felt--that it's someone as real as you, as
real as me--that I love someone out there--someone I can't see."
"Moira!" His voice sent shivers down my back. "You're crazy--you're
mad--you mean--you mean--you love someone you've never met--someone you
_can't see_?" She nodded.
"I've loved him always," she said. "All my life I've known him for ever
and ever--I know him more than anything in the world--from the time I
could think he has lived in my heart--I didn't know him until now--I
only suffered when he wasn't there, and went wandering and searching for
him--and you've kept me from him--for I didn't know--"
"Moira," he called to her in his pain, "don't think these things--don't
feel these things--"
But she only looked at him kindly and as if she were a long way off.
"I love him," she said, "better than life."
He stared at her then, and I saw what was in his mind. He thought she
was crazy--stark, staring crazy. Next he said, "Good night, Moira--my
darling, Moira." And he stumbled out into the fog like a man that's been
struck blind.
But I knew she wasn't crazy. Maybe 't was living with Mis' MacFarland
made me believe things like that. Maybe 't was Moira herself. But I
didn't feel she was any more crazy than I do when I've heard folks
recite, "I know that my Redeemer liveth."
But this isn't the end--this isn't the strangest part! Listen to what
happened next.
There was a storm after the fog and strange vessels came into the
port--and Moira came to Mis' MacFarland and her eyes were starry and
says she:
"I'm going to get 'em to put me aboard that vessel," and she points to a
bark which is a rare thing to see nowadays in these waters.
"He's out there," says she.
I didn't doubt her--I didn't doubt her any more than if she'd said the
sun was shining when my own eyes were blinded by the light of it.
"Go, then," says Mis' MacFarland.
I tell you Moira was dragged out of that house as by a magnet. The sky
had cleared and lay far off and cold, and the wrack of the broken clouds
was burning itself up in the west when I saw a dory cast off from the
vessel.
Public-domain text, read in full here on John Shaqi.
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