The best short stories of 1919, and the yearbook of the American short story
General
The best short stories of 1919, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Again he shook himself together. If the boy could speak, it was time to
question him. He had not yet seen his face, beyond a flashing imprint on
his brain of a look of terrific fear and terrific exultation as it had
dashed past him, but he was prepared to like it. He braced himself,
walked over and stood in front of the chair. With an object--even this
object--to justify it, he gladly surrendered himself now to the fatherly
instinct he had so bitterly struggled against, and he felt that he would
like, with his first words, to put his hand reassuringly on the crumpled
shoulder. But the night had left his nerves still raw--in his
sensitivity he could not bear the thought that the trembling figure
would shrink from his touch, and he kept his hand firmly at his side.
"My boy," he said gently, "you mustn't be afraid of me. Tell me what
you've done."
The young man raised his head, sank back in the chair, and looked at
him.
Not once in the long evening of lonely terror, not when he had first
heard himself talking aloud, not when he had dashed at his wife's
portrait, not when he had faced the thought of madness, had Mr. Montagu
had such a shock. An eternally lost soul, a damned thing staring at
paradise, seemed to gaze at him out of the boy's eyes. He thought he was
seeing all the sins of the world in them, yet the look was appallingly
innocent. He seemed to be discovering those sins in the dark, ravening
eyes, but to be feeling them in himself as if the forgotten, ignored
innermost of his own life were quaking with guilt under the spell of
this staring presence. In the state of horrified sympathy to which it
had precipitated him, he morbidly felt almost responsible for the
brooding evil in the boy as well as aghast at it. But even this sense of
sin, implying as it did a skeleton of naked, primal right and wrong
seemed of small import to his astounded mind beside the nameless,
unmentionable sorrow that pervaded the face and stabbed at Henry
Montagu's heart. He knew without question that he was looking at
tragedy--worse than he had supposed the world could hold or any human
thing, in any world, be subject to. It was a man's face in every line
and poise and suggestion, but for all its frightful knowledge he had to
call it beautiful--the clear-cut word "handsome" ran away from it like a
mouse into a hole, leaving it a superb horror that, as soon as his
paralyzed muscles could respond to his instinct, drove his hand to his
face to shut away the deliberate, searching gaze.
"Done?" answered the young fellow at last. "What have I done? _Good
God!_"
For the third time, it was one of his own three exclamations totally new
to him that night, and the coincidence drove home to him, this time,
with a sense of omen. But his guest was speaking again, and, forcing
himself to look calmly at the tragic face he listened breathlessly.
Public-domain text, read in full here on John Shaqi.
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