The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
(Wixon thought of this now, and of how Shakespeare's fame had drowned
out so many stars. A man had told him that there were hundreds of great
writers in Shakespeare's time that most people never heard of.)
As the boys paused, the air quivered with a hoarse _moo_! as of a
gigantic cow bellowing for her lost calf. It was really a steamboat
whistling for the bridge to open the draw and let her through to the
south with her raft of logs.
Both of the boys called the boat by name, knowing her voice: "It's the
Bessie May Brown!" They started on a run to the bluff overlooking the
river, their short legs making a full mile of the scant furlong.
Often as Joel had come out upon the edge of that bluff on his
innumerable journeys to the river for fishing, swimming, skating, or
just staring, it always smote him with the thrill Balboa must have felt
coming suddenly upon the Pacific.
On this morning there was an unwonted grandeur: the whole vault of the
sky was curdled with the dawn, a reef of solid black in the west turning
to purple and to amber and finally in the east to scarlet, with a few
late planets caught in the meshes of the sunlight and trembling like dew
on a spider's web.
And the battle in the sky was repeated in the sea-like river with all of
the added magic of the current and the eddies and the wimpling rushes of
the dawn winds.
On the great slopes were houses and farmsteads throwing off the night
and in the river the Bessie May Brown, her red light and her green light
trailing scarfs of color on the river, as she chuffed and clanged her
bell, and smote the water with her stern wheel. In the little steeple of
the pilot house a priest guided her and her unwieldy acre of logs
between the piers of the bridge whose lanterns were still belatedly
aglow on the girders and again in echo in the flood.
Joel filled his little chest with a gulp of morning air and found no
better words for his rhapsody than: "Gee, but ain't it great?"
To his amazement, Luke, who had always been more sensitive than he,
shook his head and turned away.
"Gosh, what do you want for ten cents?" Joel demanded, feeling called
upon to defend the worthiness of the dawn.
Luke began to cry. He dropped down on his own bare legs in the weeds and
twisted his face and his fists in a vain struggle to fight off unmanly
grief.
Joel squatted at his side and insisted on sharing the secret; and
finally Luke forgot the sense of family honor long enough to yield to
the yearning for company in his misery.
"I was up here at midnight last night, and I don't like this place any
more."
"You didn't come all by yourself? Gee!"
"No, Momma was here too."
"What she bring you out here at a time like that for?"
"She didn't know I was here."
"Didn't know--What she doin' out here, then?"
Public-domain text, read in full here on John Shaqi.
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