The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Against an autumn sunset the steel skeleton of a twenty-story office
building in process of construction stood out black and bizarre. It
flung up its beams and girders like stern and yet airy music, orderly,
miraculously strong, and delicately powerful. From the lower stories,
where masons made their music of trowel and hammer, to the top, where
steam-riveters rapped out their chorus like giant locusts in a summer
field, the great building lived and breathed as if all those human
energies that went to its making flowed warm through its steel veins.
In the west window of a womans' club next door one of the members stood
looking out at this building. Behind her at a tea-table three other
women sat talking. For some moments their conversation had had a
plaintive if not an actually rebellious tone. They were discussing the
relative advantages of a man's work and a woman's, and they had arrived
at the conclusion that a man has much the best of it when it comes to a
matter of the day's work.
"Take a man's work," said Mrs. Van Vechten, pouring herself a second cup
of tea. "He chooses it; then he is allowed to go at it with absolute
freedom. He isn't hampered by the dull, petty details of life that
hamper us. He----"
"Details! My dear, there you are right," broke in Mrs. Bullen. Two men,
first Mrs. Bullen's father and then her husband, had seen to it that
neither the biting wind of adversity nor the bracing air of experience
should ever touch her. "Details! Sometimes I feel as if I were
smothered by them. Servants, and the house, and now these relief
societies----"
She was in her turn interrupted by Cornelia Blair. Cornelia was a
spinster with more freedom than most human beings ever attain, her
father having worked himself to death to leave her well provided for.
"The whole fault is the social system," she declared. "Because of it men
have been able to take the really interesting work of the world for
themselves. They've pushed the dull jobs off onto us."
"You're right, Cornelia," cried Mrs. Bullen. She really had nothing to
say, but she hated not saying it. "I've always thought," she went on
pensively, "that it would be so much easier just to go to an office in
the morning and have nothing but business to think of. Don't you feel
that way sometimes, Mrs. Trask?"
The woman in the west window turned. There was a quizzical gleam in her
eyes as she looked at the other three. "The trouble with us women is
we're blind and deaf," she said slowly. "We talk a lot about men's work
and how they have the best of things in power and freedom, but does it
occur to one of us that a man _pays_ for power and freedom? Sometimes I
think that not one of the women of our comfortable class would be
willing to pay what our men pay for the power and freedom they get."
"What do they pay?" asked Mrs. Van Vechten, her lip curling.
Mrs. Trask turned back to the window. "There's something rather
wonderful going on out here," she called. "I wish you'd all come and
look."
Public-domain text, read in full here on John Shaqi.
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