The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"'I could quit,' he said that night, after the engineer had taken his
train back to New York, 'throw up the job, and the owners couldn't hold
me because of their defective boring plans. But if I quit there'll be
twenty competitors to say I've bit off more than I can chew. And if I
go on I lose money; probably go into the hole so deep I'll be a long
time getting out.'
"You see, where his estimates had covered only the expense of normal
foundation work he now found himself up against the most difficult
conditions a builder can face. When the girl asked him if the owners
would not make up the additional cost he grinned ruefully. The owners
were going to hold him to his original estimate; they knew that with his
name to make he would hate to give up; and they were inclined to be
almost as nasty as the job.
"'Then you'll have all this work and difficulty for nothing?' the girl
asked. 'You may actually lose money on the job?'
"'Looks that way,' he admitted.
"'Then why do you go on?' she cried.
"His answer taught the girl a lot about the way a man looks at his job.
'If I take up the cards I can't be a quitter,' he said. 'It would hurt
my record. And my record is the equivalent of credit and capital. I
can't afford to have any weak spots in it. I'll take the gaff rather
than have it said about me that I've lain down on a job. I'm going on
with this thing to the end.'"
Little shrewd, reminiscent lines gathered about Mrs. Trask's eyes.
"There's something exhilarating about a good fight. I've always thought
that if I couldn't be a gunner I could get a lot of thrills out of just
handing up the ammunition.... Well, Rob went on with the contract. With
the first crib hung up on a boulder and the water coming in so fast they
couldn't pump it out fast enough to dynamite, he was driven to use
compressed air, and that meant the hiring of a compressor, locks,
shafting--a terribly costly business--as well as bringing up to the job
a gang of the high-priced labor that works under air. But this was done,
and the first crib for the foundation piers went down slowly, with the
sand-hogs--men that work in the caissons--drilling and blasting their
way week after week through that underground New England pasture. Then,
below this boulder-strewn stratum, instead of the ledge they expected
they struck four feet of rotten rock, so porous that when air was put on
it to force the water back great air bubbles blew up all through the
lot, forcing the men out of the other caissons and trenches. But this
was a mere dull detail, to be met by care and ingenuity like the others.
And at last, forty feet below street level, they reached bed-rock.
Forty-six piers had to be driven to this ledge.
"Rob knew now exactly what kind of a job was cut out for him. He knew he
had not only the natural difficulties to overcome, but he was going to
have to fight the owners for additional compensation. So one day he went
into Boston and interviewed a famous old lawyer.
Public-domain text, read in full here on John Shaqi.
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