The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
He showed it off proudly. "Work of art," he said. "I made one just like
it when I was here the summer I was twelve--I remembered it this morning
when I woke up, and I came out to get this one."
She admired it critically, particularly the initials of the dark bark
left on, but suggested an improvement about the knob.
"By Jove! you're right," he admitted, and set to work with his knife.
They were like two youngsters out of school. All morning they idled
out-of-doors, exploring the little lanes that led off into the
buff-colored hills, returning at noon, ravenous, to lunch in the
dining-room of the inn, parting afterward in the corridor, and going to
their own rooms to rest and read. At four Ayling tapped at her door to
say that there was in the sitting-room "an absolutely enormous tea."
That night, before a beautiful fire in the sitting-room, they caught
each other yawning at half past nine, and at ten they said good-night.
It had been so perfect that the next day found them following the same
routine. And the next day, and the next. Bessie Lonsdale had not felt
for years so much peace and so much strength. In their morning walks
together her strength showed greater than his. The bracing air
exhilarated her, and she felt she could have walked forever in the
lovely rolling hills. Once she had walked on and on, faster and faster,
not noticing how she had quickened her pace, her head up, facing the
light wind blowing in from the sea. And, turning to ask a question of
Ayling at her side, his white face stopped her instantly.
"Oh, I _am_ sorry! Forgive me," she said.
He smiled, embarrassed, and waited a moment for breath before he said,
"It's just the wind; it's pretty stiff."
And she had said no more, because it embarrassed him, but she suited her
pace to his after that, never forgiving herself for her thoughtlessness.
And she chose, instead of the hill roads, the level, winding lanes.
For five perfect spring days they spent their mornings out-of-doors in
the sun, lunched, parted until tea, met at dinner again, and said good
night at a preposterously early hour. And they could not have said
whether they amused or interested or merely comforted each other.
Perhaps they did all three. At any rate, it was an idyll of its kind,
and of more genuine beauty than many less platonic idylls have been.
Public-domain text, read in full here on John Shaqi.
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