The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"No," said Bessie Lonsdale, "but I've _got_ to, don't you see?"
Mr. Ford moved in his chair, and spoke, guarding his voice, judicially.
"Since we have gone so far, it will be even better, perhaps, for Mrs.
Lonsdale to tell it to us here."
Mr. Burke nodded, and they looked toward her expectantly.
"Yes, Mrs. Lonsdale?" said Mr. Ford.
An instant the brown-flecked eyes appeared to be searching for some
human contact which she seemed vaguely to have lost. And then she began
at the beginning--with her daughter's engagement to young Andrew McCrae,
her happiness, her security--and quietly, with only now and then a
slight tension of her body and her voice, she told it all to them,
exactly as it happened, without plea or embellishment. She had only one
stress, and that she tried to make reasonable to them--her child's
security.
And they waited, attentive and patient, for the motive to emerge, for
the beginning of that complication between her daughter and Richard
Ayling, which they believed was to be the crux of her narrative.
And as her story progressed their bewilderment increased, for never, it
appeared, had Bessie Lonsdale's daughter so much as heard of the
existence of the man who lay dead at Homebury inn. She seemed even to
make a special point of that.
They thought she but put it off against the time when it should be
forced from her lips; but her story did not halt; she was telling it
step by step, accounting for every hour of the time.
They waited for her to offer proof of the condition of Ayling's heart.
She did not mention it, except to say, when she came to relating the
moment of her discovery, that she had not thought of it; that even when
she opened the door of his room she did not think directly of his heart;
and only when she saw him actually lying there so peacefully dead did
she remember the danger in which he constantly lived. She seemed to
offer it as proof of the suddenness and completeness of her shock, and
in extenuation of the thing she afterward did.
Slowly, gradually, as they listened, and as the light of her omissions
made it clear, it had begun to dawn upon them that Bessie Lonsdale was
telling the whole of the truth. And by it she sought to disprove
_something_, but not the thing they thought.
She had paused, at the point of her flight, to attempt, a little
hopelessly, to make her impulse real to them. She spoke of the
inflexible honor of the McCraes, of the great respect which had for
generations attached to their name. Then suddenly, as if she saw the
utter hopelessness of making them understand, she seemed with a gesture
to give up abstractions and obscurities and to find in the depth of her
mother's heart the final simple words:
Public-domain text, read in full here on John Shaqi.
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