The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The queer fellow didn't stop or turn or try again; sending up all the
while the most unearthly cackle of horror my ears have ever heard, he
kept right on through the door and the packed vestry, clawing his way to
the open with that brief gift of vitality.
It was so preposterous and so ghastly to see him carrying on so, with
his white linen and his fine black wedding-clothes and the gray hair
that would have covered a selectman's head in another year--it was all
so absurdly horrible that we simply stood as we were in the church and
wondered and looked at Mary Matheson and saw her face still rapt and
quiet, and still set in that same bedevilled smile, as if she didn't
know that round tears were running in streams down her cheeks.
"Let him go," was all she said.
They didn't let him go for too long a time, for they had seen the stamp
of death on the man's face. When they looked for him finally they found
him lying in a dead huddle on the grass by Lem White's gate. I shall
never forget the look of him in the lantern-light, nor the look of them
that crowded around and stared down at him--Duncan, I remember,
puzzled--Miah cursing God--and three dazed black men showing the whites
of their eyes, strange negroes being brought in from the wreck: for the
ship was no India ship after all, but a coffee carrier from Brazil.
But seeing Miah made me remember that long-forgotten question that the
lips of this dead man had put to the deaf sea and the blind sky.
"Who is to pay the bill? Who is to pay the bill?"
Well, two of the three had helped to pay the bill now for a girl's
light-hearted word. But I think the other has paid the most, for she has
had longer to meet the reckoning. She still lives there alone in the
house on the cow street. She is an old woman now, but there's not so
much as a line on her face nor a thread of white in her hair, and that's
bad. That's always bad. That's something like the thing that happened to
the Wandering Jew. Yes, I'm quite sure Mary has paid.
* * * * *
But I am near to forgetting the answer to it all. I hadn't so long to
wait as most folks had--no longer than an hour of that fateful night.
For when I got home to our kitchen I found my cousin Duncan already
there, with the lamp lit. I came in softly on account of the lateness,
and that's how I happened to surprise him and glimpse what he had before
he could get it out of sight.
Public-domain text, read in full here on John Shaqi.
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