The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The noise died away entirely as the spring advanced. The silence grew
greater and greater. There were few seeds for Claire René to plant in
her garden; there was little strength in her arms to work them. Weeds
covered the flower patch of a year ago. A few straggling everlastings
showed their heads above the tangle. Claire René had plenty of strength
to uproot them angrily and throw them into the overgrown path.
The three wreaths were still on the shelf in the dark closet under the
stair. Their colors were dimmed, like the hope in their maker's heart;
their forms were shrunken, like the forms of Claire René and grand'mère
and Jacques.
Grand'mère lay in her bed most of the day. Sometimes, when the sun shone
and the birds sang, Claire René would make her aching arms bathe and
dress grand'mère and help her into the chair by the window. Then she
would sit beside her and try to run threads through the bare places in
her frocks.
At times she thought of making frocks for herself out of grand'mère's
calico dresses, folded so neatly in the cupboard. But grand'mère, she
argued, would need them for herself when the Great Day came, when
Clément and Fernand and Alphonse would come with ringing laughter
through the forest--laughter that would surely open grand'mère's
eyes--and her ears. When the birds sang and the sun shone Claire René
believed that day would come.
Jacques was always kind. But he had become a part of the great silence;
almost as still as grand'mère he was. For hours he would sit and look at
Claire René bending over her sewing, over her scrubbing, over the
brightening of the pots and pans. Sometimes his shining black eyes
seemed to lie down in his face, to be going away forever behind his bush
of eyebrow.
Then she would start toward him and call: "Jacques, Jacques!"
He would always answer, straightening in his chair: "Yes, my little one,
be not afraid. Jacques is ever near."
Claire René would sigh and go back to her work and wish that she was big
enough to go out into the forest and shoot birds, as Jacques used to do.
She was very hungry. She was tired of eating roots from the garden.
She would like to lie down and go to sleep for the rest of her life, or
die and go to heaven and have the Holy Mother hold her in her arms and
feed her thick yellow milk. Jacques no longer brought even thin blue
milk. There was no coffee in the cupboard, no sugar, no bread--only
hateful roots of the garden.
Claire René no longer walked in the forest. Sometimes she would lie down
on a mossy place and look up through the tall trees at the patches of
blue sky overhead. She wondered whether the good God still kept His home
above, whether He, too, were hungry, whether the Holy Mother had work to
do when her back ached and her fingers wouldn't move and were thin and
bony, like young dead birds that sometimes fell from nests.
Public-domain text, read in full here on John Shaqi.
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