The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Long, slanting shadows from the sinking sun were streaking the wall of
the whitewashed room with slender, forklike fingers. Jacques and the
three men were knotted in talk beside the ruddy fire glow. Claire René
braced herself with a sharp sigh. No soldier ever went into battle with
a more self-made courage than hers.
Unseen, unnoticed, noiselessly she made her pilgrimage across the room.
In the dark closet, under the stairs, she reached for the wreaths. With
quick, short breath she gathered them in her arms. One moment she
lowered her head while her lips touched the faded crackling flowers. The
compact was sealed; her sacrifice was ready.
In that attitude she passed swiftly within the circle about the
fireplace. She came like a spirit of Peace with the wreaths in her arms.
Over and above the serenity in her face there dawned a joyous
expectancy. Yes; she could trust les Américains!
On each reverent, bowed head she placed her wreath; and when she had
finished, without tremor in her voice she said: "My brothers!"
FOOTNOTE:
[17] Copyright, 1919, by The Curtis Publishing Company. Copyright, 1921,
by Ethel Dodd Thomas.
THE ROMAN BATH[18]
#By# JOHN T. WHEELWRIGHT
From _Scribner's Magazine_
Ralph Tuckerman had landed that day in Liverpool after a stormy winter
voyage, his first across the Atlantic. The ship had slowly come up the
Mersey in a fog, and the special boat train had dashed through the same
dense atmosphere to the home of fogs and soot, London, and in the whole
journey to his hotel the young American had seen nothing of the mother
country but telegraph-poles scudding through opacity on the railway
journey, and in London the loom of buildings and lights dimly red
through the fog.
Although he had no acquaintances among the millions of dwellers in the
city, he did not feel lonely in the comfortable coffee room of his
hotel, where a cannel-coal fire flickered. The air of the room was
surcharged with pungent fumes of the coal smoke which had blackened the
walls and ceilings, and had converted the once brilliant red of a Turkey
carpet into a dingy brown, but the young American would not have had the
air less laden with the characteristic odor of London, or the carpet and
walls less dingy if he had had a magician's wand.
The concept of a hotel in his native city of Chicago was a steel
structure of many stories, brilliantly lighted and decorated, supplied
with a lightning elevator service running through the polished marble
halls which swooned in a tropical atmosphere of steam heat emanating
from silvered radiators. So it was no wonder that the young man felt
more at home in this inn in old London than he had ever felt in an
American caravansary.
Public-domain text, read in full here on John Shaqi.
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