The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"What we must do, and what I must ask you to promise, may at first seem
to you ridiculous," he said. "Yet your acceptance of my conditions is a
matter of life or death, not to any one here present, but to another,
whom we are about to visit. What I require is this: you are to put on,
as we shall, the costumes in these valises, which are after the fashion
of the early sixteenth century. Indeed, when our journey is resumed,
there must be about us nothing to suggest the present age. Moreover, I
must have your most earnest promise that when we reach our destination
you will refrain from giving the least hint, by word or action, that the
sixteenth century has passed away. If you feel unable to carry out this
deception, we must leave you here. The slightest blunder would be
fatal."
No sooner had Antonio uttered these words than he turned in a panic to
Leonello and Leonardo.
"Am I wrong to have brought him?" he demanded, distractedly. "Can I
depend on him at every point? You two, and Laura and Lina, know what it
would mean if he should make a slip."
Much disturbed, I declared that I wished for nothing better than to
return to Florence at once. But Leonardo restrained me, while Leonello,
patting Antonio's shoulder in reassurance, responded:
"Trust him. You do his quick wit an injustice."
Finally Antonio, with a heavy sigh, unlocked the valises.
Hitherto I had associated masquerade with festive expectations, but
nothing could have been less festive than the atmosphere in which we
donned those costumes. They were rich, accurate, and complete. The wigs
of flowing hair were perfectly deceptive. The fur-trimmed surcoats and
the long hose were in fabrics suggestive of lost weaving arts. Each
dagger, buckle, hat-gem, and finger-ring, was a true antique. Even when
the two ladies appeared, in sumptuous Renaissance dresses, their
coiffures as closely in accordance with that period as their expanded
silhouettes, no smile crossed any face.
"Are we all--" began Antonio. His voice failed him. Muffled in thick
cloaks, we faced the blustery night again.
Behind the farm-house stood horses, saddled and bridled in an obsolete
manner. Our small cavalcade wound up a hillside path, which, in the
darkness, the beasts felt out for themselves. One became aware of
cypress-trees on either hillside, immensely tall, to judge by the
thickness of their trunks. More and more numerous became these trees, as
was evident from the lamentation of their countless branches. In its
groan, the forest voiced to the utmost that melancholy which the
imaginative mind associates with cypresses in Italy, where they seemed
always to raise their funereal grace around the sites of vanished
splendors.
We were ascending one of the hills that lie scattered above Florence
toward the mountains, and that were formerly all covered with these
solemn trees.
Public-domain text, read in full here on John Shaqi.
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