The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"At night, Antonio di Manzecca would slip away to the Castle of Foscone.
She would be waiting for him on the platform outside her chamber, above
the ramparts, overlooking the path across the hills. It chanced that by
the aid of vines and fissures in the masonry he could climb the castle
wall almost to that platform--almost near enough, indeed, to touch her
finger-tips. Unhappily, there was nothing there to which she could
attach a twisted sheet. So thus they made love--she bending down toward
him, he clutching with toes and hands at the wall, her whispers making
him dizzier than his perilous posture, her tears falling upon his lips
through a space so little, yet greater than the distance between two
stars.
"But almost everything is discovered. Antonio's meetings with Fiammetta
became known to his elder brother.
"One evening Fiammetta, from the high platform, saw Antonio approaching
while it was still twilight. All at once he was surrounded by servants
of his own house, who had been waiting for him in ambush. Before he
could move, half a dozen daggers sank into his body. Amid the thorns and
nettles he sprawled lifeless, under the eyes of his beloved. As the
assassins dragged his body away, there burst from the platform a
prolonged peal of laughter.
"Fiammetta di Foscone had gone mad."
* * * * *
At that tragedy, at least, I was not surprised. The Italy of the
Renaissance was full of such episodes--the murderous jealousy of
brothers, the obedient cruelty of retainers, the wreckage of women's
sanity by the fall of horrors much more ingeniously contrived than this.
What froze my blood was the anticipation gradually shaping in my mind. I
felt that this was the prelude to something monstrous, incredible, which
I should be forced to believe.
"She had gone mad," my friend repeated, staring before him. "She had, in
other words, lost contact with what we call reality. To her that state
of madness had become reality, its delusions truth, and everything
beyond those delusions misty, unreal, or non-existent."
His voice died away as he looked at his hands with an expression of
disbelief. He even reached forward to touch my knee, then sighed:
"You will soon understand why I am sometimes possessed with the idea
that I am dreaming."
And he resumed his tale:
"Antonio di Manzecca was buried. His elder brother found a wife
elsewhere. The Lord of Foscone married again, and by that marriage had
other children. But still his daughter Fiammetta stood nightly on the
platform of the Castle of Foscone, gazing down at the hill path, waiting
for her Antonio to climb the wall and whisper his love.
Public-domain text, read in full here on John Shaqi.
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