The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"The Foscone, also, finally moved to Florence. Their castle was left in
the care of hereditary servants, devoted and discreet. On that isolated
hilltop no chance was afforded strangers to solve the mystery of the
woman who paced the high platform in the attire of another age. Was
there, in the Foscone's concealment of the awesome fact, a medieval
impulse, the ancient instinct of noble houses to defend themselves
against all forms of aggression, including curiosity? Or was it merely
the usual aversion to being identified with abnormality? Some
abnormality is so terrifying that it seals the loosest lips.
"Now and then, to be sure, some servant's tongue was set wagging by
wine, or some heir of the Foscone confided in his sweetheart. But the
rumor, if it went farther, soon became distorted and incredible, amid
the ghost-stories of a hundred Italian castles, palaces, and villas. I
myself found hints in the archives of my family, yet saw in them only a
pretty tale, such as results when romantic invention is combined with
pride of race.
"But I was destined to sing another tune.
"Not long ago, the last of the Foscone's modern generation passed away.
There came to me an old woman-servant from the castle. It was Nuta, whom
you saw below as we entered.
"Why had she sought me out? Because, if you please, in the year fifteen
hundred one of my family had brought this thing to pass. It seemed to
Nuta, the fact now being subject to discovery by the executors of the
estate, that the care of her charge devolved upon me.
"At first I believed that old Nuta was the mad one. In the end, however,
I accompanied her to the castle. At dusk, concealed by the cypresses, I
discerned on the platform a face that seemed to have been transported
from another epoch just in order to pierce my heart with an intolerable
longing. I fell in love as one slips into a vortex, and instantly the
rational world was lost beyond a whorl of ecstasy and fright.
"I regained Florence with but one thought: how could she be restored to
sanity, yet be maintained in that beauty which had triumphed over
centuries? As I entered my apartment I saw before me the portrait of
that other Antonio di Manzecca, whom I so closely resembled, whom she
had loved, whose return she still awaited. I stood there blinded by a
flash of inspiration.
"At midnight my plan was complete."
* * * * *
As he paused, and the conclusion became clear to me, I was taken with a
kind of stupor.
"A few days later," he said, "as she stood gazing down through the
twilight, a man emerged from the forest, in face and dress the image of
that other Antonio di Manzecca. At his signal, servants in the old-time
livery of the Manzecca appeared with a ladder, which they leaned against
the ramparts. He set foot upon the platform. Her pallor turned
deathlike; her eyes became blank; she fainted in his arms. When she
recovered she was in the Castle of Manzecca.
"That shock had restored her reason.
Public-domain text, read in full here on John Shaqi.
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