The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The eight by ten room constituted the entire home. A shed roof slanted
from eight feet high on the door and window side to a bit more than five
on the other. A bed in one corner took up most of the space, and the
remaining necessities were bestowed with the compactness of a ship's
cabin. The rough boards of the roof and walls had been hidden by a
covering of newspapers, with a row of illustrations pasted picture
height. Cushions and curtains of turkey-red calico brightened the homely
shack.
The driver had slipped off his buffalo coat and was bending over a baby
exhaustedly fighting for breath that whistled shrilly through a closing
throat. The mother, scarcely more than a girl, held her in tensely
extended arms.
"How long's she been this way?"
"She began to choke up day before yesterday, just after you passed on
the down trip."
The driver laid big finger tips on the restless wrist.
"She always has the croup when she cuts a tooth, Dan, but this is
different. I've used all the medicines I have--nothing relieves the
choking."
The girl lifted heavy eyelids above blue semicircles of fatigue and the
compelling terror back of her eyes forced a question through dry lips.
"Dan, do you know what membranous croup is like? Is this it?"
The stage-driver picked up the lamp and held it close to the child's
face, bringing out with distressing clearness the blue-veined pallor,
sunken eyes, and effort of impeded breathing. He frowned, putting the
lamp back quickly.
"Mebbe it is, Mis' Clark, but don't you be scared. We'll help you a
spell."
Dan lifted the red curtain from the cupboard, found an emptied
lard-pail, half filled it with water and placed it on an oil-stove that
stood in the center of the room. He looked questioningly about the four
walls, discovered a cleverly contrived tool-box beneath the cupboard
shelves sorted out a pair of pincers and bits of iron, laying the
latter in a row over the oil blaze. He took down a can of condensed
milk, poured a spoonful of the thick stuff into a cup of water and made
room for it near the bits of heating iron.
He turned to the girl, opened his lips as if to speak with a face full
of pity.
Along the four-foot space between the end of the bed and the opposite
wall the girl walked, crooning to the sick child she carried. As they
watched, the low song died away, her shoulder rubbed heavily against the
boarding, her eyelids dropped and she stood sound asleep. The next
hard-drawn breath of the baby roused her and she stumbled on, crooning a
lullaby.
Smith clutched the younger man's shoulder. "God, Hillas, look where
she's marked the wall rubbing against it! Do you suppose she's been
walking that way for three days and nights? Why, she's only a child--no
older than my own daughter."
Hillas nodded.
"Where are her people? Where's her husband?"
"Down in Yankton, Dan told you, working for the Winter. Got to have the
money to live."
"Where's the doctor?"
"Nearest one's in Haney--four days' trip away by stage."
Public-domain text, read in full here on John Shaqi.
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