The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
#Youth and the Bright Medusa#, by _Willa Cather_ (Alfred A. Knopf).
Fifteen years ago, Miss Cather published a volume of short stories
entitled "The Troll Garden." This volume has long been out of print,
although its influence may be seen in the work of many contemporary
story writers. The greater part of its contents is now reprinted in the
present volume, together with four new stories of less interest. These
eight studies, dealing for the most part with the artistic temperament,
are written with a detached observation of life that clearly reveals the
influence of Flaubert on the one hand and of Henry James on the other,
but there is a quality of personal style built up out of nervous rhythms
and an instinctive reticence of personal attitude which Miss Cather only
shares with Sherwood Anderson among her American compatriots. She is
more assured in the traditional quality of her work than Anderson, but
hardly less astringent. I regard this book as one of the most important
contributions to the American short story published during the past
year, and personally I consider it more significant than her four
admirable novels.
#From Place to Place#, by _Irvin S. Cobb_ (George H. Doran Company). I
have frequently had occasion to point out in the past that Mr. Cobb's
work, in depth of conception and breadth of execution, makes him the
legitimate successor of Mark Twain as a painter of the ampler life of
the American South and Middle West. In his new collection of nine
stories, there are at least three which I confidently believe are
destined to last as long as the best stories of Hawthorne and Poe. The
most noteworthy of these is "Boys Will Be Boys," which I printed in a
previous volume of this series. "The Luck Piece" and "The Gallowsmith,"
though sharply contrasted in subject matter, reveal the same profound
understanding of American life which makes Mr. Cobb almost our best
interpreter in fiction to readers in other countries. Like Mark Twain,
Mr. Cobb is quite uncritical of his own work, and two of these stories
are of merely ephemeral value. I should like no better task than to
edite a selection of Mr. Cobb's stories in one volume for introduction
to the English public, and I think that such a volume would be the best
service American letters could render to English letters at the present
moment.
#The Life of the Party#, by _Irvin S. Cobb_ (George H. Doran Company). I
shall claim no special literary quality for this short story which Mr.
Cobb has reprinted from The Saturday Evening Post, but America usually
shows such poverty in producing humorous stories that the infectious
quality of this wildly improbable adventure makes the story seem better
than it really is. It cannot be regarded as more than a diversion from
Mr. Cobb's rich human studies of American life.
Public-domain text, read in full here on John Shaqi.
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