The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
#The Elder's People#, by _Harriet Prescott Spofford_ (Houghton, Mifflin
Company). Mrs. Spofford has collected in this volume the best among the
short stories which she has written since 1904, and the collection shows
no diminution in her powers of accurate and tender observation of New
England folk. These fourteen prose idyls have a mellow humanism which
portrays the last autumn fires of a dying tradition. They rank with the
best work of Miss Jewett and Mrs. Spofford herself in the same kind, and
are a permanent addition to the small store of New England literature. I
wish to call special attention to "An Old Fiddler," "A Village
Dressmaker," and "A Life in a Night."
#The Valley of Vision#, by _Henry van Dyke_ (Charles Scribner's Sons).
This volume of notes for stories rather than stories themselves calls
for no particular comment save for two admirable fugitive studies
entitled "A Remembered Dream" and "The Broken Soldier and the Maid of
France." These seem to me creditable additions to the small store of
American legends which the war produced, but the other stories and
sketches are rather bloodless. They are signs of the spiritual anæmia
which is so characteristic of much of American life.
#The Ninth Man#, by _Mary Heaton Vorse_ (Harper & Brothers). When this
story was published in Harper's Magazine six years ago, it attracted
wide attention as a vividly composed presentment of human passions in a
mediæval scene. The allegory was not stressed unduly, and was perhaps
taken into less account then than it will be now. But events have since
clarified the story in a manner which proves Miss Vorse to have been
curiously prophetic. In substance it is very different from what we have
come to associate with her work, but I think that its modern social
significance will now be obvious to any reader. Philosophy aside, I
commend it as an admirably woven story.
#Anchors Aweigh#, by _Harriet Welles_ (Charles Scribner's Sons). I think
the chief value of this volume is as a quiet record of experience
without any remarkable qualities of plot and style, but it is full of
promise for the future, and in "Orders" Mrs. Welles has written a
memorable story. The introduction by the Secretary of the Navy rather
overstates the case, but I think no one will deny the genuine feeling
and truth with which Mrs. Welles has presented her point of view.
#Ma Pettengill#, by _Harry Leon Wilson_ (Doubleday, Page & Company). I
must confess that temperamentally I am not inclined to rank these
humorous stories of American life as highly as many critics. I grant
their sincerity of portraiture, but they show only too plainly the signs
of Mr. Wilson's compromise with his large audience in The Saturday
Evening Post. They are written, however, with the author's eye on the
object, and Ma Pettengill herself is vividly realized.
Public-domain text, read in full here on John Shaqi.
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