The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
#An Honest Thief, and Other Stories#, by _Fyodor Dostoevsky_; translated
from the Russian by _Constance Garnett_ (The Macmillan Company). This is
the eleventh volume in the first collected English edition of
Dostoevsky's works. The great Russian novelist was not a consummate
technician when he wrote short stories, but the massive epic sweep of
his genius clothed the somewhat inorganic substance of his tales with a
reality which is masterly in the title story, in "An Unpleasant
Predicament," and in "Another Man's Wife." The volume includes among
other stories "The Dream of a Ridiculous Man," which, though little
known, is the key to the philosophy of his greater novels.
#Civilization#, 1914-1917, by _Georges Duhamel_; translated by _E. S.
Brooks_ (The Century Co.). This volume shares with Élie Faure's "La
Sainte Face" first place among the volumes of permanent literature
produced in France during the war. With more subtle and restrained
artistry than M. Barbusse, the author has portrayed the simple
chronicles of many of his comrades. He employs only the plainest
notation of speech, with an economy not unlike that of Maupassant, and
the indictment is the more terrible because of this emphasis of
understatement. Before the war, M. Duhamel was known as a competent and
somewhat promising poet and dramatist, and he was one of the few to whom
the war brought an ampler endowment rather than a numbing silence.
#Czecho-Slovak Stories#, translation by _Ŝárka B. Hrbkova_ (Duffield
and Company). I trust that this volume will prove a point of departure
for a series of books each devoted to the work of a separate
Czecho-Slovak master. Certainly the work of Jan Neruda, Svatopluk
Čech, and Caroline SvĚtlá, to name no others, ranks with the best
of the Russian masters, and the reader is compelled to speculate as to
how many more equally fine writers remain unknown to him. For such
stories as these can only come out of a long and conscious tradition of
art, and the greater part of these stories are drawn from volumes
published during the last half century. The volume contains an admirable
historical and critical introduction, and adequate biographies and
bibliographies of the authors included.
Public-domain text, read in full here on John Shaqi.
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