The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
I have told this in detail, because I hate giving things at second-hand.
Yet there my connection with Kathleen Somers ceased, and her tragedy
deepened before other witnesses. She stayed on in her hills; too proud
to visit her friends, too sane to spend her money on a flying trip to
town, too bruised and faint to fight her fate. The only thing she tried
for was apathy. I think she hoped--when she hoped anything--that her
mind would go, a little: not so much that she would have to be "put
away"; but just enough so that she could see things in a mist--so that
the hated hills might, for all she knew, be Alps, the rocks turn into
castles, the stony fields into vineyards, and Joel Blake into a Tuscan.
Just enough so that she could re-create her world from her blessed
memories, without any sharp corrective senses to interfere. That, I am
sure, was what she fixed her mind upon through the prolonged autumn;
bending all her frail strength to turn her brain ever so little from its
rigid attitude to fact. "Pretending" was no good: it maddened. If her
mind would only pretend without her help! That would be heaven, until
heaven really came.... You can't sympathize with her, probably, you
people who have been bred up on every kind of Nature cult. I can hear
you talking about the everlasting hills. Don't you see, that was the
trouble? Her carefully trained imagination was her religion, and in her
own way she was a ritualist. The mountains she faced were unbaptized:
the Holy Ghost had never descended upon them. She was as narrow as a
nun; but she could not help it. And remember, you practical people who
love woodchucks, that she had nothing but the view to make life
tolerable. The view was no mere accessory to a normal existence. She
lived, half-ill, in an ugly, not too comfortable cottage, as far as the
moon from any world she understood, in a solitude acidulated by Melora
Meigs. No pictures, no music, no plays, no talk--and this, the whole
year round. Would you like it yourselves, you would-be savages with
Adirondack guides? Books? Well: that was one of life's little
stupidities. She couldn't buy them, and no one knew what to send her.
Besides, books deferred the day when her mind should, ever so little, go
back on her. She didn't encourage gifts of literature. She was no
philosopher; and an abstraction was of no use to her unless she could
turn it to a larger concreteness, somehow enhancing, let us say, a
sunset from the Acropolis. I never loved Kathleen Somers, as men love
women, but many a time that year I would have taken her burden on
myself, changed lives with her, if that had been possible. It never
could have been so bad for any of us as for her. Mildred Thurston would
have gone to the church sociables and flirted as grossly as Hebron
conventions permitted; I, at least, could have chopped wood. But to what
account could Kathleen Somers turn her martyrdom?
Public-domain text, read in full here on John Shaqi.
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