The best short stories of 1920, and the yearbook of the American short story
General
The best short stories of 1920, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
She was endeavoring to get trace of a man named Farquharson, as I was
permitted to learn a few days later. Ostensibly, it was Major Stanleigh
who was bent on locating this young Englishman--Miss Stanleigh's
interest in the quest was guardedly withheld--and the trail had led him
a pretty chase around the world until some clue, which I never clearly
understood, brought them to Port Charlotte. The major's immediate
objective was an eccentric chap named Leavitt who had marooned himself
in Muloa. The island offered an ideal retreat for one bent on shunning
his own kind, if he did not object to the close proximity of a restive
volcano. Clearly, Leavitt did not. He had a scientific interest in the
phenomena exhibited by volcanic regions and was versed in geological
lore, but the rumors about Leavitt--practically no one ever visited
Muloa--did not stop at that. And, as Major Stanleigh and I were to
discover, the fellow seemed to have developed a genuine affection for
Lakalatcha, as the smoking cone was called by the natives of the
adjoining islands. From long association he had come to know its whims
and moods as one comes to know those of a petulant woman one lives with.
It was a bizarre and preposterous intimacy, in which Leavitt seemed to
find a wholly acceptable substitute for human society, and there was
something repellant about the man's eccentricity. He had various names
for the smoking cone that towered a mile or more above his head: "Old
Flame-eater," or "Lava-spitter," he would at times familiarly and
irreverently call it; or, again, "The Maiden Who Never Sleeps," or "The
Single-breasted Virgin"--these last, however, always in the musical
Malay equivalent. He had no end of names--romantic, splenetic, of
opprobrium, or outright endearment--to suit, I imagine, Lakalatcha's
varying moods. In one respect they puzzled me--they were of conflicting
genders, some feminine and some masculine, as if in Leavitt's
loose-frayed imagination the mountain that beguiled his days and
disturbed his nights were hermaphroditic.
Public-domain text, read in full here on John Shaqi.
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