The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
She did not pull down the wide yellow shade, though it was night. The
street was a ribbon of velvet blackness laid beside the hurting and
sharp brightness of the store. The yellow light was hard like grains of
sand under the quick of her nails. She was afraid of the street. She was
hurt in the store. But the brightness clamped her. She did not move.--O
let no more customers come! "Keep quiet, Flora." I can not move.--She
was clamped.
But the store moved, moved.
There was a black wheel with a gleaming axle--the Sun--that sent light
dimming down its spokes as it spun. From the rim of the wheel where it
was black, bright dust flung away as it spun. The store was a speck of
bright dust. It flung straight. It moved along the velvet path of the
street, touching, not merging with its night. It moved, it moved, she
sat still in its moving. The store caught up with Meyer. He entered the
store. He was there. He was there, scooped up from the path of the
street by the store. Now her work was over. He was there. The store was
a still store, fixed in a dirty house. Its brightness the spurt of two
jets of gas. He was back from _Schul_.--That is all.
A man with blond hair, flat feet that shuffled, small tender hands. A
man with a mouth gentle, slow; with eyes timid to see. "Come dear: that
is no place."--Why she lets the child play with my shears!
Tender hands pull Flora from beneath the table. Flora comes blinking,
unprotesting. Where her father's hands leave off from her, she stays.
She sinks back to the floor. She looks at her little fists from which
the scizzors are gone. She misses hard gleaming steel. She opens and
shuts her fists and looks at them: she cries. But she does not
move.--Her mother does not move.--Her father does not move. He squats on
the table. His head sways with his thoughts. He knows that Flora will
stop--what can he do?--in perhaps half an hour. It is a weak cry. Grows
weaker. He is used to it. There is work.
Public-domain text, read in full here on John Shaqi.
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