The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The less said about Schneider, the better; which means always that there
is a great deal to say. In this case, there was perhaps less to say than
to surmise. He did not give himself away--to us. Schneider had turned up
on a trading schooner from Melbourne, was stopping at the hotel in one
of the best rooms, and had a general interest in the potentialities of
Naapu. I say potentialities advisedly, for he was not directly
concerned, so far as I know, with any existing business there. He
frequented everybody, and asked questions in the meticulous German way.
He wandered all over the island--islands, I should say, for once or
twice I saw him banging off in a creaky motor-boat to the other jewels
of the necklace. Guesses as to his real business were free and frequent.
He was a pearl-smuggler; the agent of a Queensland planter; a fugitive
from justice; a mad scientist; a servant of the Imperial German
Government. No one presumed to certitude--which was in itself a tribute
to German efficiency. Schneider was blond and brush-haired and
thick-lipped; he was unpleasant from the crown of his ill-shaped head to
the soles of his ill-shaped shoes; but, though lacking in every charm,
he was not sinister. He had seen curious places and amusing things, and
could cap most adventures with something relevant; but his type and
temperament prevented him from being a "good mixer," and he was not
popular.
Stires, however, had his own grievance, and his judgment of Schneider
went deep. He did not mind the shape of Schneider's skull, or the hint
of goose-step in Schneider's gait; but he minded, very much, the kind of
interest that Schneider took in French Eva. He told me that, straight,
emphasizing his statements with a rusty spanner, which he wielded in a
curious, classical way, like a trident. According to him, Schneider was
bothering the life out of the girl. "Always asking her to dress up and
come over to chow with him at the hotel." And the spanner went down as
if Neptune were rebuking the seas.
"Does she go?"
"No."
"Well, then--can't you leave the lady to discourage him in her own way?"
"She won't go to the ho-tel, because she hates Ching Po. But she walks
out with him Sunday afternoons. He gives her gimcracks."
"Then she likes him?"
"There's no telling. She's a real lady." And the discouraged Stires
beat, with his spanner, a refrain to his involuntary epigram.
"She can take care of herself, can't she?" I had watched her deal with a
drunken Solomon Islander, and did not see how Schneider could be a match
for her.
"I don't know." Stires's lazy drawl challenged the sunset.
"Anything I can do?" I asked as I rose.
"Unless you go in and cut him out," he meditated with a grin.
"But I'm not in love with her," I protested.
"You might take her to church."
But I refused. Philandering was not my forte, and church, in any case,
was the last thing I should venture to propose.
"Why don't you go in yourself?"
Public-domain text, read in full here on John Shaqi.
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