The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
It was a cry from so deep that they didn't know what to do.
"Won't you do it for me?" she begged of the young man, going up to him.
"What you left out--won't you show it for me--_now_?"
He just stood there staring at her.
"It means--! It--" But how could she tell them what it meant? She looked
from one to the other, as if to see what chance there was of their doing
it without knowing what it meant. When she couldn't keep sobs back, she
turned away.
Even in her room at the hotel she had to try to keep from crying. She
could hear the man moving around in the next room--so he, of course,
could hear her, too. It was all as it was in the pictures--people
crowded together, and all of it something that seemed life and really
wasn't. Even _that_--the one thing, the one moment--really wasn't life.
But it was all she had! If she let herself think of how little that all
was--it was an emptiness she was afraid of.
The people who had tried to comfort her used to talk of how much she had
had. She would wonder sometimes why they were talking on her side
instead of their own. For if you have had much--does that make it easy
to get along with nothing? Why couldn't they _see_ it? That because of
what Howie had been to her--and for ten years!--she just didn't know any
way of going on living without Howie!
Tonight made fresh all her wedding anniversaries--brought happiness to
life again. It almost took her in. And because she had been so near the
dear, warm things in which she had lived, when morning came she couldn't
get on the train that would take her back to that house to which Howie
would never come again. Once more it all seemed slipping from her. There
must be _something_. As a frightened child runs for home, she turned to
that place where--for at least a moment--it was as if Howie were there.
She went to the telegraph office and wired the company that sent out
"The Cross of Diamonds," asking where that film could be seen. She had
learned that this was the way to do it. She had known nothing about such
things at first; it had been hard to find out the ways of doing. It was
a world she didn't know the ways of.
When she got her answer, and found that the place where "The Cross of
Diamonds" would be shown that night was more than a hundred miles
away--that it meant going that much farther away from home--she told
herself this was a thing she couldn't do. She told herself this must
stop--that her brother was right in the things he said against it. It
wouldn't do. He hadn't said it was crazy, but that was what he meant--or
feared. She had told him she would try to stop. Now was the time to do
it--now when she would have to go so much farther away. But--_it_ was
going farther away--this glimpse of Howie--all that was left of Howie
was moving away from her! And after the disappointment of the night
before--She must see him once more! Then--yes, then she would stop.
Public-domain text, read in full here on John Shaqi.
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