The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"But why couldn't you come back to Green Gardens--why couldn't you make
them see, Stephen?"
"Why, what was there to see? When they sent me down from Oxford for that
dirty little affair, I was only nineteen--and they told me I had
disgraced my name and Green Gardens and my country--and I went mad with
pride and shame, and swore I'd drag their precious name through the dirt
of every country in the world. And I did--and I did."
His head was buried in his arms, but Daphne heard. It seemed strange
indeed to her that she felt no shrinking and no terror; only great pity
for what he had lost, great grief for what he might have had. For a
minute she forgot that she was Daphne, the heedless and gay-hearted, and
that he was a broken and an evil man. For a minute he was a little lad,
and she was his lost mother.
"Don't mind, Stephen," she whispered to him, "don't mind. Now you have
come home--now it is all done with, that ugliness. Please, please don't
mind."
"No, no," said the stricken voice, "you don't know, you don't know,
thank God. But I swear I've paid--I swear, I swear I have. When the
others used to take their dirty drugs to make them forget, they would
dream of strange paradises, unknown heavens--but through the haze and
mist that they brought, I would remember--I would remember. The filth
and the squalor and vileness would fade and dissolve--and I would see
the sun-dial, with the yellow roses on it, warm in the sun, and smell
the clove pinks in the kitchen border, and touch the cresses by the
brook, cool and green and wet. All the sullen drums and whining flutes
would sink to silence, and I would hear the little yellow-headed cousin
of the vicar's singing in the twilight, singing, 'There is a lady, sweet
and kind' and 'Weep you no more, sad fountains' and 'Hark, hark, the
lark.' And the small painted yellow faces and the little wicked hands
and perfumed fans would vanish and I would see again the gay beauty of
the lady who hung above the mantel in the long drawing-room, the lady
who laughed across the centuries in her white muslin frock, with eyes
that matched the blue ribbon in her wind-blown curls--the lady who was
as young and lovely as England, for all the years! Oh, I would remember,
I would remember! It was twilight, and I was hurrying home through the
dusk after tennis at the rectory; there was a bell ringing quietly
somewhere and a moth flying by brushed against my face with velvet--and
I could smell the hawthorn hedge glimmering white, and see the first
star swinging low above the trees, and lower still, and brighter still,
the lights of home.--And then before my very eyes, they would fade, they
would fade, dimmer and dimmer--they would flicker and go out, and I
would be back again, with tawdriness and shame and vileness fast about
me--and I would pay."
"But now you have paid enough," Daphne told him. "Oh, surely,
surely--you have paid enough. Now you have come home--now you can
forget."
"No," said Stephen Fane. "Now I must go."
Public-domain text, read in full here on John Shaqi.
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