The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Those about the women made every effort to give them room, but at the
best they had a hard fight to make their way out. Both the women were
modishly dressed, and their complexions were correctly made. There was,
too, that hardness about the mouths of both of them that Mr. Neal found
in the faces of most of the women he saw--a hardness that even the
stress of their effort to get out of the car could not disturb. When
they finally got out, others crowded in.
Mr. Neal was happy, and he looked about him to find other happy faces.
But they were nowhere to be seen; the faces were stolid, or indifferent,
or intent, or vacuous. None of them were glad. If their mouths would
only turn up at the corners! Well, it was the same old story. Mouths
that turned up at the corners were seldom met with in Mr. Neal's book of
subway faces.
Bleecker Street, and a worse jam than ever, but there was encouragement
in the thought that Fourteenth Street would soon relieve the pressure.
Two girls crowded on at Bleecker, amid shrill laughter and many
smothered exclamations. Their lips were carmined and their eyes bold.
Every swerve of the train brought fresh giggles or stifled screams from
them.
As the train was slowing down for Astor Place Station an express train
passed it, speeding for Fourteenth Street. Mr. Neal turned with an
effort (for he was wedged in tightly) and looked through the glass door
at the brightly lighted cars as they passed, and then slowly gained
upon, his own train. The express was crowded too, with people standing
in the aisles, hanging to straps. The faces were very clearly
distinguishable in the bright light; and Mr. Neal, strangely excited at
this rapid panorama of faces, saw each one distinctly. Suddenly he
leaned forward, close to the glass. He saw it! The face! It was there!
But it was gone in a moment. It had been like a flash in the dark
tunnel. His own train had come to a jarring stop, and the express was
only thunder in the distance.
Mr. Neal felt that he must rush out of the car, must get out into the
open. But the big prize-fighter still pressed against him, and in a
moment they were rushing on again into the darkness.
Now the clerk had no eyes for the occupants of his car. His face was
pressed against the glass door. He saw, out there in the darkness, that
serenely beautiful face, beatific, transcendent. And even as he looked,
he saw again the rear-lights of the express. They were going to overtake
it--to pass it again. It had been halted by the block signals of the
train ahead, perhaps--at any rate it was now moving very slowly. As the
local shot by, the panorama of faces was unfolded much more rapidly than
it had been before, but Mr. Neal caught a glimpse of the face once more.
It looked directly at him, as it had before, and he thought it smiled
upon him a little.
Public-domain text, read in full here on John Shaqi.
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