"Yes, at the moving-pictures." But he began to talk rapidly and explain. I could see that the gentleman and his wife were interested and quite puzzled. It would seem that the place he described--Naples, I think it was--resembled broadly the place they knew, but with so many differences of detail as to be almost unrecognizable. It was, as Mrs. W. said afterward, "like a city perceived in a dream--all the topsy-turvydom, all the mingling of fantasy and reality." After outbursts of this kind, he was generally ill--at least he kept his bed and slept much. As a consequence, he was often away from the office; and whenever I thought of him in those days, I used to wonder how he managed to keep his employment. One foggy evening in January, about eight o'clock, I happened to be walking with Barber in the West End. We passed before a concert hall, brilliantly lighted, with a great crowd of people gathered about the doors, and I read on a poster that a concert of classical music was forward at which certain renowned artists were to appear. I really cannot give any sort of reason why I took it into my head to go in. I am rather fond of music, even of the kind which requires a distinct intellectual effort; but I was not anxious to hear music that night, and in any case, Barber was about the last man in the world I should have chosen to hear it with. When I proposed that we should take tickets, he strongly objected. "Just look me over," he said. "I ain't done anything to you that you want to take my life, have I? I know the kind of merry-go-round that goes on in there, and I'm not having any." I suppose it was his opposition which made me stick to the project, for I could not genuinely have cared very much, and there was nothing to be gained by dragging Barber to a concert against his will. Finally, seeing I was determined, he yielded, though most ungraciously. "It'll be the chance of a lifetime for an hour's nap," he said as we took our seats, "if they only keep the trombone quiet." I repeat his trivial sayings to show how little there was about him in manner or speech to prepare me for what followed. I remember that the first number on the programme was Beethoven's Seventh Symphony. This work, as is well known, is rather long, and so, at the end of the third movement, I turned and looked at Barber to see if he was asleep. But his eyes were wide open, feverish, almost glaring; he was twining and untwining his fingers and muttering excitedly. Throughout the fourth movement he continued to talk incoherently. "Shut up!" I whispered fiercely. "Just see if you can't keep quiet, or we shall be put out." I was indeed very much annoyed, and some people near by were turning in their chairs and frowning.--