The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
And in truth I myself was rapidly falling into the strangest confusion.
For a certain time--I cannot quite say how long--I lost my hold on
realities. The London concert hall, with its staid, rather sad-looking
audience, vanished, and I was in a great white place inundated with
sun--some vast luminous scene. Under a wide caressing blue sky, in the
dry and limpid atmosphere, the white marble of the buildings and the
white-clad people appeared as against a background of an immense blue
veil shot with silver. It was the hour just before twilight, that rapid
hour when the colors of the air have a supreme brilliance and serenity,
and a whole people, impelled by some indisputable social obligation,
seemed to be reverently witnessing the performance of one magnificent
man of uncontrollable power, of high and solitary grandeur.--
Barber began to sing.
Of what he sang I can give no account. The words seemed to me here and
there to be Greek, but I do not know Greek well, and in such words as I
thought I recognized, his pronunciation was so different from what I had
been taught that I may well have been mistaken.
I was so muddled, and, as it were, transported, that I cannot say even
if he sang well. Criticism did not occur to me; he was there singing and
we were bound to listen. As I try to hear it, now, it was a carefully
trained voice. A sound of harps seemed to accompany the singing; perhaps
the harpists in the orchestra touched their instruments.--
How long did it last? I have no idea. But it did not appear long before
all began to waver. The spell began to break; the power by which he was
compelling us to listen to him was giving out. It was exactly as if
something, a mantle or the like, was falling from Barber.
The absurdity of the whole thing began to dawn on me. There was Barber,
an obscure little Londoner, daring to interrupt a great musical
performance so that the audience might listen to him instead! Probably
because I was the only one on the spot personally acquainted with
Barber, I was perceiving the trick put upon us sooner than the rest of
the audience; but they, too, were becoming a little restless, and it
would not be long ere they fully awoke. One thing I saw with perfect
clearness and some terror, and that was that Barber himself realized
that his power was dying within him. He appeared to be dwindling,
shrinking down; in his eyes were suffering and a terrible panic--the
distress of a beaten man appealing for mercy. The catastrophe must fall
in a minute--
With some difficulty I rose from my place and made for the nearest exit.
My difficulty came, not from the crowd or anything like that, but from
an inexplicable sensation that I was committing some crime by stirring
while Barber was on the stage, and even risking my life.
Outside it was raining.
Public-domain text, read in full here on John Shaqi.
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