The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Three Kanaka men, strangers to the island, sat cross-legged on the turf.
One had taken over a drum from a local musician. The other two had
instruments fashioned of dried gourds with fingering pieces of bamboo
and strings of gut--barbaric cousins to the mandolin. So, on this one
night in history, the music of another tribe had come to Taai. It just
escaped being an authentic "tune." How it escaped was indefinable. The
sophisticated ear would almost have it, and abruptly it had got away in
some provoking lapse, some sudden and bizarre disintegration of tone.
And the drumbeat, bringing it back, ran like a fever pulse in a man's
blood.
In the center of the sward, her back to the musicians, a solitary female
danced; a Kanaka woman, clothed in a single shift of the sheerest
crimson cotton, tied at one shoulder and falling to mid-thigh. Not from
Taai did this woman come; one saw that; not from any near island or
group. Her beauty was extraordinary, like that of the Marquesans, with
that peculiar straightness of all the lines, at once Grecian, austere,
and incalculably voluptuous.--
The dance, as I saw it for the first time that night, I will not speak
of. I have traded to many islands in many groups--even the Low
Archipelago--but the island where that dance was indigenous I am sure
I've never touched. Compared with any of the _hulas_, set and fixed in
each locality as the rites of Rome, it was sophisticated; it gave an
illusion of continuous invention and spontaneity; it was flesh swept by
a wind and shattered; it ravished the eyes.
I don't know how long I watched; how long all the immortal flame in me
lent itself to the histrionic purposes of that woman. But I shall never
forget it. Never! Never!
I looked away. I saw two faces. One of them hung over my shoulder. It
was the trader's. It was the face of a man who has lived a very long
while wielding power of life and death over unsatisfying satisfactions.
A man awakened! The toppling of a hundred centuries, indeed.
The other was Signet's. Scarred by leaf shadows, thrust like a swimmer's
from the meager sea of heads and naked shoulders, it held as still as a
death mask, minute by minute, except that, in the penumbra cast by the
veil of goat tuft on his chin, the Adam's apple was convulsed at
intervals, as if he were swallowing, as if the man were _drinking_!
The night grew. The torches were consumed, the "place" deserted.
Somewhere the amazing voyagers had taken themselves to rest. A half moon
mutilated the island--long stripes of palms, shadow scars of defiles,
mottles of bushes. It was like a sleeping animal, a tiger of deep blue
and blue-white, an enormous leopard.
We sat on the veranda at the Residence, the trader and I. By and by,
soft-footed, Signet was there, occupying the lowermost step.
The Dutchman talked. Like the able administrator he was, he had already
all the data to be procured. Into his ears had poured the whispered
trickles of a score of informants.
Public-domain text, read in full here on John Shaqi.
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