The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Arriving at the farmhouse, the peaked facade of which, built to suggest
an unbegotten third story, looked more hideous than ever among the bare
branches, I knocked with reddened knuckles at the door. There was no
response; at last, my half-frozen hand smarting with the contact of the
wood, I pushed open the door and went in.
It was very still inside--a strange unnatural stillness. Even Grega and
Martie, the two little plain-faced girls, were not to be seen; the drab,
rose-patterned carpet muffled my footsteps, which, for some inexplicable
reason, I made as light as possible. The room, faded, and scrubbed to
the point of painfulness, gave only two signs of disorder, a crumpled
book of verse open on the table and a Bible lying face down on the worn,
orange-colored sofa. But there was something vaguely uncanny about the
whole house; the very air seemed thin, like the atmosphere of
approaching death. An unnameable terror took hold of me. I waited,
fearing to call out. A door shut upstairs. There were footsteps, and the
sound of voices,--a man's and a woman's--whispering. Then more
footsteps. This time some one was taking no trouble to walk lightly.
"Quietly now," the woman's voice cautioned.
"Ye said it was a boy?" This was Mr. Darton's voice, unmistakable now.
"I didn't say," the woman's whisper floated down to me as a door creaked
open. "But it _is_--a girl. You must be ver--"
Her words were cut off by the report of a door banging shut. There was
the sibilant sound of a breath being drawn in and, at the same moment,
Mr. Darton's voice again.
"What the hell made ye think I'd want to see another _girl_ for?" he
growled.
A pause followed, the emptier for the preceding stridor of his voice.
Then--"You c'n get along now--we ain't got no more call fur neighbors."
With that he came stamping down the stairs and slouched into the front
room, where, upon his catching sight of me, a frightened look crossed
his face, followed, almost instantly, by a queer expression, a mixture
of relief and cunning that gave his face a grotesqueness that I can
recall to this very day.
"Well, boy," he said in that low drawl and wavelike inflection of the
voice that I was to learn to know so well, "yer father sent ye, did he?"
I proffered the note and the pills, and he frowned at them a second
before pocketing them.
"Come--_he-re_." He seemed to pull at the words, giving each a retarded
emphasis. As I approached, he drew me towards him, where he had sunk on
the dingy, orange-fringed sofa. "N-ow, y're a nice young fellow--a bit
scrawny, though. Ye--gotta horse?"
I shook my head.
"N-ow, then--ye aughtta have a h-orse. Yer pappy should see to't."
His gray eyes, then almost blue against the loose brown skin of his
face, held me speechless.
"N-ow I gotta horse--a fine horse fur a boy. Ye might ride her--like
to? Then, if yer pappy wanted, he cou'd buy her fur ye?"
I looked at him in doubt.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account