The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
On our arrival at the sparse little village I told him of the Dartons. I
had had no news of them for the past four years, and inquiries among the
neighbors left me only the more at sea. Lisbeth they seldom saw, they
said; she never went to church or meetings; and, especially since her
mother, in an unprecedented flare of rebellion, had gone to live with a
married sister in town, she had grown silent and taciturn. As for old
Con Darton, he was going to seed, in spite of the remnants of an earlier
erudition that still clung to him. That is, though he went about
unshaven and in slovenly frayed clothing, he still quoted fluently from
the Bible and Gray's "Elegy." Among the villagers he had come to have
the reputation of a philosopher and an ill-used man. He was poor, it
seemed, so poor that he had abandoned the white farmhouse and had come
to live in a box-like, unpainted shack at the foot of the hill, the new
boarding of which stood out harshly against the unturfed soil. Built
just across the way from a disused mill, near the creek, it had become
known as the "mill house." In spite of this thriftiness, Con always had
money for a new horse, which he would soon trade off for a better;
although these transactions had, of late, become fewer, as Con was
feared as a "shrewd one." The fact seemed to call forth his neighbors'
admiration, just as the tale that he had been "deserted" called forth
their pity. Lisbeth, they averred, who had stuck to him, was "a hard
piece to get close to."
She was standing at the bottom of the hill where the creek ran between
the deserted mill and the new shack; and, as I came down the hill, I
felt a sharp twinge of pain at the contrast of the fragile line of her
profile against the coarse, dark sweater, at the slender grace of her
body against that dead, barn-sprinkled background. I could observe her
easily without her knowledge, for she was looking up, as we so often
used to at twilight, to the old plank high above the sagging mill, where
the turkeys fly to roost towards evening, so awkwardly and comically,
with a great breathless whirring of wings. I saw her lift her arms to
them with a swift, urging gesture, as though to steady their ungainly
flight, and I could not be certain that she was not talking to them.
Again a pang for the contracting loneliness of those bitter winters that
she had lived through and must still live through, stabbed me.
She turned with a low cry and a momentary flush of gladness. But I
noticed, as I questioned her as an old friend might, that the flush
melted into a level pallor, and her eyes, deeper and more unquiet than I
had remembered them, either wandered up the road or reverted to the last
of the turkeys soaring heavily to rest.
"I used to do all those things, Tom," she said in answer to my question.
"Used to?" I laughed. "Why, it's only five years ago I was hearing that
you were the best little lady on skis and skates at the West-Highlands."
Her eyelids quivered at the word.
Public-domain text, read in full here on John Shaqi.
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