The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
"I have never met the lady," was all Shelby said; and Stanton told me
there was a sigh that followed the remark.
"What!" this full-blooded young American reporter cried, astounded.
"You've never met this girl, and yet you have all these--all these
pictures of her?"
"I don't want to lose my dream, my illusion," was Shelby's answer.
A man who would not meet the toast of Broadway--and Fifth Avenue, for
that matter--if he could, was, to Stanton and the rest of us,
inconceivable.
It was at the close of that winter that Shelby left us. Some there were
who said he was suffering from a broken heart. At any rate, he began to
free-lance; and the first of those fascinating romantic short stories
that he did so well appeared in one of the magazines. There was always a
poignant note in them. They dealt with lonely men who brooded in secret
on some unattainable woman of dreams. This sounds precious; but the
tales were saved from utter banality by a certain richness of style, a
flow and fervour that carried the reader on through twenty pages without
his knowing it. They struck a fresh note, they were filled with the fire
of youth, and the scenes were always laid in some far country, which
gave them, oddly enough, a greater reality. Shelby could pile on
adjectives as no other writer of his day, I always thought, and he could
weave a tapestry, or create an embroidery of words that was almost
magical.
He made a good deal of money, I believe, during those first few months
after he went away from Herald Square. Apparently he had no friends,
and, as I have said, invariably he seemed to dine alone at Mouqin's, at
a corner table. Afterwards, he would go around to the Cafe Martin, then
in its glory, where Fifth Avenue and Broadway meet, for his coffee and a
golden liqueur and a cigarette. That flaming room, which we who were
fortunate enough to have our youth come to a glorious fruition in 1902,
attracted us all like a magnet. Here absinthe dripped into tall glasses,
and the seats around the sides, the great mirrors and the golden
curtains, which fluttered in summer and remained austerely in place in
winter, made a little heaven for us all, and life one long cry of joy.
Here women, like strange flowers that bloomed only at night, smiled and
laughed the hours away; and the low whirr of Broadway drifted in, while
the faint thunder of Fifth Avenue lent an added mystery to the place, as
though the troubled world were shut out but could be reached again in an
instant, if you wished to reach it.
Shelby liked to be seen in such places. He said he felt that he was on
the Continent, and he liked to get nervously excited over a liqueur and
a mazagan of coffee, and then flee to his cozy lodgings in Gramercy Park
and produce page after page of closely written manuscript.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account