The best short stories of 1921, and the yearbook of the American short story
General
The best short stories of 1921, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Deolda went up slowly to him and put one of her long hands on each of
his shoulders. She looked deep into his eyes. She didn't speak; she just
looked. And he looked back, as though trying to find out what she had in
her heart, and as he looked a little flicker of horror went over his
face. Then he smiled a slow smile, as though he had understood something
and consented to it--and it was a queer smile to see on the face of a
young fellow. It was as if the youth of Johnny Deutra had passed away
forever. Then Deolda said to him:
"Good for you, Johnny Deutra!" and put out her hand, and he laid his in
hers and they shook on it, though no word had passed between them. And
all this time my aunt and I sat motionless on the haircloth sofa next to
the wall. And I tell you as I watched them my blood ran cold, though I
didn't understand what it was about. But later I understood well enough.
There never was so long an evening. The squall blew over and a heavy
blow set in. I could hear the pounding of the waves on the outside
shore. Deolda sat outside the circle of the lamp in a horrible tense
quiet. My aunt tried to make talk, and made a failure of it. It was
awful to hear the clatter of her voice trying to sound natural in the
face of the whistle of the storm, and out wallowing in it the gasoline
dory with its freight of hatred. I hated to go to bed, for my room gave
on the sea, and it seemed as if the night and the tragedy which I had
glimpsed would come peering in at me with ghastly eyes.
I had just got under the blanket when the door opened quietly.
"Who is that?" I asked.
"It's me--Deolda."
She went to the window and peered out into the storm, as though she were
trying to penetrate its mystery. I couldn't bear her standing there; it
was as if I could hear her heart bleed. It was as if for a while I had
become fused with her and her love for Johnny Deutra and with all the
dark things that had happened in our house this afternoon. I got out of
bed and went to her and put my hand in hers. If she'd only cried, or if
she'd only spoken I could have stood it; if she'd said in words what was
going on inside her mind. But she sat there with her hand cold in mine,
staring into the storm through all the long hours of the night.
Toward the end I was so tired that my mind went to sleep in that way
your mind can when your body stays awake and everything seems far off
and like things happening in a nightmare except that you know they're
real. At last daylight broke, very pale, threatening, and slate colored.
Deolda got up and began padding up and down the floor, back and forth,
like a soul in torment.
About ten o'clock old Conboy came in.
"I got the license, Deolda," he said.
"All right," said Deolda, "all right--go away." And she kept on padding
up and down the room like a leopard in a cage.
Conboy beckoned my aunt out into the entry. I followed.
"What ails her?" he asked.
"I guess she thinks she sent Johnny Deutra to his grave," said my aunt.
Public-domain text, read in full here on John Shaqi.
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