The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Well, that’s about all I can remember clearly until about twenty
minutes later, when I was at home trying to unlock my trunk with
fingers that were trembling like a tuning fork. Before I could get it
open, Mr. Deems and a policeman came in. I began talking all at once
about not being a thief and trying to tell them what had happened,
but I guess I was sort of hysterical, and the more I said the worse
matters were. When I managed to get the story out it seemed sort of
crazy, even to me--and it was true--it was true, true as I’ve told
you--every word!--that one penny that I lost somewhere down by the
station--” Hemmick broke off and began laughing grotesquely--as
though the excitement that had come over him as he finished his tale
was a weakness of which he was ashamed. When he resumed it was with
an affectation of nonchalance.
“I’m not going into the details of what happened, because nothing
much did--at least, not on the scale you judge events by up North.
It cost me my job, and I changed a good name for a bad one. Somebody
tattled and somebody lied, and the impression got around that I’d
lost a lot of the bank’s money and had been tryin’ to cover it up.
“I had an awful time getting a job after that. Finally I got a
statement out of the bank that contradicted the wildest of the
stories that had started, but the people who were still interested
said it was just because the bank didn’t want any fuss or
scandal--and the rest had forgotten: that is, they’d forgotten what
had happened, but they remembered that somehow I just wasn’t a young
fellow to be trusted----”
Hemmick paused and laughed again, still without enjoyment, but
bitterly, uncomprehendingly, and with a profound helplessness.
“So, you see, that’s why I didn’t go to Cincinnati,” he said slowly;
“my mother was alive then, and this was a pretty bad blow to her. She
had an idea--one of those old-fashioned Southern ideas that stick in
people’s heads down here--that somehow I ought to stay here in town
and prove myself honest. She had it on her mind, and she wouldn’t
hear of my going. She said that the day I went ’d be the day she’d
die. So I sort of had to stay till I’d got back my--my reputation.”
“How long did that take?” asked Abercrombie quietly.
“About--ten years.”
“Oh----”
“Ten years,” repeated Hemmick, staring out into the gathering
darkness. “This is a little town you see: I say ten years because it
was about ten years when the last reference to it came to my ears.
But I was married long before that; had a kid. Cincinnati was out of
my mind by that time.”
“Of course,” agreed Abercrombie.
They were both silent for a moment--then Hemmick added apologetically:
“That was sort of a long story, and I don’t know if it could have
interested you much. But you asked me----”
“It _did_ interest me,” answered Abercrombie politely. “It interested
me tremendously. It interested me much more than I thought it would.”
Public-domain text, read in full here on John Shaqi.
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