The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The whole world knew that she had been unfaithful, and had
disappeared ... disappeared for ever and for ever: that was eternity,
her disappearing ... after his father turned her out. He and his
two brothers knew how sensual indulgence grew like the fat upon his
father, clogged him, clotted his brain ... and he had turned her out.
His father’s soul shrank famished, he was a sucking brute. Then he
was mad ... she was gone ... and Karl had come away.
America! He brought to it, he thought, his yearning and his music. He
dwelt in misery. He dwelt, it seemed to his free eyes, in misery that
grew more deep, more blind.
He wondered why.
“I have a good mind,” he said aloud. He swung his chair to face the
row of books upon his mantel. So he sat looking at his books. Proud
of them--I wonder why?
And as he sat, he forgot the books that stood within his eyes. He
thought again of his mother. Why had she been unfaithful? What had
driven her, and what his father? Was his brutality the way of sorrow?
Had she found joy in that eternity where he had lost her?... Sudden
like a stroke across his brain, the woman with white breasts crushed
in a clamping iron: her piteous arms stretched towards a man--not he.
He walked up and down. He forgot the vision.
“There,” he said aloud, with an emphasis that was a plea, “there is
what comes of music ... of emotion. Idiotic ideas ... visions. That
woman ... what do you know about that woman? Rot!”
He bent down and picked up the book that he had failed to read.
“Here’s the place for your mind,” he said aloud.
“You,” he turned to his ’cello, “you’ll go on earning my living.” He
stroked the fragile wine-hued wooden breast. “For a while.... But
you’ll not boss me, hear?” He stood the instrument away.
There was a knock. Clara with a letter.
He took it. He seemed strangely perturbed. He laid the letter,
unread, aside. As she reached for the door, “Clara,” he said.
She turned.
“Clara,” he said again, “why are you so happy? What have you, Clara?”
Her round face was all warmth and smile. She found her ease on her
feet.
“I had fo’ babies, Mr. Loer. An’ ev’ one of ’em died afo’ they was
six. An’ my husband that I nussed fo’ ten years--he was sick ten
years a-dyin’ on his back--he’s gone too. They is all in Heaven,
Mr. Loer. They is all waitin’ th’ah fo’ me. Ev’y onct in a while,
they comes to me at night. I sees ’em, sees ’em standin’ th’ah as
clar--why as clar as you is! An’ they speaks to me: wuds as clar--as
clar as mine is. They’s all gone and safe, awaitin’ for me up th’ah.
Tha’s why I’m happy, Mr. Loer.”
Old woman and young man stood very still, looking at each other. Karl
stirred first. His hands, then his head. He walked up and down. She
was still.
“But Clara--but Clara--”
She beamed on him. He stopped. He smiled also. He grasped his cap. He
rushed into the street.
Public-domain text, read in full here on John Shaqi.
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