The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
The victor stood bored, easefully; looking beyond for a comrade who
did not come. Saliva wet the chin of the other, whose effort had been
great. His hand hung, palm forward, near his knee.
“Let’s try again,” he said. “You give me your side where the sun’s
not in my eyes. That’s fair.” They exchanged places. The battle went
on, the same.
Karl was very tired. He leaned back in his bench.
In three straight strokes came to his passive eyes sky, river, park.
The sky was steadfast and still. The river was dense and still, boats
and waves moving upon the river were like the shiver of sun-motes
upon a steadfast sky. The park swayed under the stillness of sky
and water. Its swaying was a word that came from moveless lips;
its swaying was a word issued from moveless lips. Three horizontal
strokes in the eyes of Karl, of a world that did not move.
Stillness came within him.
He turned his head from side to side, as within steadfastness, not
stirring it. He saw no more, no less, by turning his head. He was
within a focus where all was steadfast and where stillness was all.
He moved his hands, and felt how he was wrapped in movelessness. He
was not prisoned. He felt free, fluent, felt the accessibility of
flight within stillness, within changelessness as within air.
He sat upright on his bench and was not tired.
He swung his left arm slowly under his face; he felt how the world
swung with him so that naught had moved.
Upon the cuff of his left sleeve a spot caught him and made him
focus his eyes.... A cockroach moved on his cuff. It moved. It moved
against the world. It lied.
It flowed into the mass of his right hand. It was crushed. It was
killed.
He said aloud: “I am sorry, life. But I cannot have you around.” He
was not surprised at his words.
But his words were another stroke, perpendicular to the three-fold
stroke of park and river and sky. A stroke cutting along and lifting
a veil before his eyes. The movelessness of life won by this fourth
stroke of his words another dimension still. So it was that things
seemed to happen. Within his immobile vision, he watched things
happen ... people move, sun slant farther beneath the green fingers
of trees ... as if this fourth stroke of his words saying, “Things
happen,” were a knife cutting a cord, unfolding a magic parchment.
Men sat upon benches as he sat upon a bench. Men had feet on a
pavement as he had feet on a pavement. Men had faces written with
thought as he had a written face. All this he saw as if it were
happening just now. There was ease in his soul which took each
happening and put it away and knew that all was one.
Public-domain text, read in full here on John Shaqi.
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