The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
An odd look passed between Mrs. Conway and her host. Both started to
speak together. Then she yielded to him, nodding acquiescence as Ben
said: “They are Fenwick’s property. It’s up to him whether or not he
gratifies our curiosity.”
But, Fenwick, jaunty now, uncramped, waved his cigarette. “It belongs
to the company. I’m delighted to have been successful. But isn’t it
extraordinary that I shouldn’t once have realized that I was writing
or that I was tearing those sheets off?”
“You did it very quietly. There was no noise,” Mrs. Conway
volunteered.
“Can’t we read the stuff, right off?” Carter inquired anxiously.
Allis leaned over and took the papers from him. There must have been
four or five sheets. Neither he nor Carter had examined them.
“Fenwick’s property. It’s up to Fenwick.”
“I don’t want the stuff. Let’s read it aloud if it makes any sense.”
Mrs. Conway rose with determination. “Why not hand it over to me? I
won’t read it.”
But Mrs. Medford cried out. “Mr. Gregory wrote, ‘Ask Fenwick.’ So did
Maud Allis. We _must_ ask Fenwick.”
“Yes. What’s the use of spending all this time in an experiment if
we can’t see what we’ve accomplished?” Miss Ford voiced her own and
Carter’s grievance.
“Well, Fenwick”--Allis’s bantering voice threw in--“if you are ready
to vouch for the absolute purity of your subconscious, shall we
oblige the ladies?”
Fenwick looked sheepish. “Oh, I say! You don’t mean to load that
stuff, whatever it is, off on me. Why, it may be a résumé of the last
French novel I read--or anything.”
Mrs. Conway spoke, for the first time, with some sharpness. “You
don’t, any of you, know what may be there. It may be utter nonsense,
or it may be a sermon. But whatever is there comes from no good
place.”
Some of us laughed. “You’re very hard on Fenwick’s subconscious,”
Allis said.
“It’s the first time you’ve ever done it?” Mrs. Conway asked.
“Absolutely the first.” Fenwick nodded.
“Well, then”--she sighed--“it’s probably all right. They’re usually
careful how they begin.” She shrugged her shoulders.
We moved in a body to the big lamp on Allis’s writing-table. “Thank
goodness, Nora’s upstairs,” Maud Allis giggled in my ear.
Fenwick now had let himself go in the spirit of Carter and Genevieve
Ford, as they chaffed him. “All right,” he said; “I may be done for,
but who wrote ‘Ask Fenwick’? Seems to me we’re all tarred with the
same brush anyhow.”
He held up the first page, getting the light over his shoulder, and
began to read:
“‘Jack Hilles speaking.’” The manuscript opened like a telephone call.
Fenwick broke off. “Oh, I say, you don’t want me to read this. There
can’t be anything in it, and we’d all be sorry to go any further----”
But Mrs. Medford came close to him, her eyes almost glaring with the
intensity of her feeling--a queer, soft, mad glare. I saw, like a
shot, that she wasn’t going to be easy to manage.
“Mr. Fenwick, you’ve no right to stop,” she panted.
Public-domain text, read in full here on John Shaqi.
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