The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Charitably inclined people as well as all other kinds of inclined
people prefer their Winkelburgs more egotistic. They prefer that
unfortunate ones be engrossed in their misfortunes and not go around
wearing sardonic, philosophical smiles.
II
Winkelburg dragged along for six months. He was past fifty-five.
Each time I saw him I was certain I would never see him again. I was
certain he would die--drop dead while crawling across his flypaper.
But he would appear. I would pretend to be vastly busy. He would sit
and wait. His consideration was an affront. It said, “Oh, yes, I know
you are a very busy man. You are part of the world. But Winkelburg
has nothing to do. Nothing but wait. Wait until he dies. So don’t
hurry. I have plenty of time.”
He would never ask alms. I would have been relieved if he had.
Instead he would sit and smile, and his smile would say:
“Ah, my friend, you are afraid I am going to ask you for money. Don’t
worry, please. I would rather die of hunger than ask you. Because it
would interfere with our friendship. And I value your friendship more
than a bite of food. I won’t ask you for money. I won’t bother you
at all. Yes, yes, I agree with you. I ought to be dead. It would be
better for everybody.”
We would talk little. He would throw out a hint now and then that
perhaps I could use some of his misfortunes for material. For
instance, the time his two children had been burned to death. Or the
time he had fallen off a street car while in a sick daze and injured
his spine for life, and how he settled with the street-car company
for five hundred dollars, and how he had been robbed on the way to
the bank with the money a month later.
I refused consistently and somewhat curtly his offer of material.
This offended Winkelburg. He would pick up the day’s paper and sit
reading my story through with a show of critical deliberation. Then
he would put it down and look at me as if to say:
“This thing you’ve written about is all right in its way. But it must
be obvious to you that, from a purely literary point of view, the
material I have to offer is vastly superior.”
I saw that his vanity was piqued. I would not have minded this. In
fact it was a bit droll. But there was his smile. Winkelburg’s
smile rose above his vanity. When I had returned to the typewriter,
feigning industry in the hope that the man would pick himself up and
crawl away, I would catch a glimpse of the inevitable wan grimace
that came to his lips and the smile would say:
“Yes, yes, I understand. You refuse my material because you don’t
want to get involved with me. Because you don’t want me to have any
more claims on you than I have. Not that you’re afraid I’ll ask you
for money. But if I gave you something you’re afraid that it would
establish a closer relationship between us. I’m sorry, but you
shouldn’t feel that way.”
Public-domain text, read in full here on John Shaqi.
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