The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Epes, Epes, I was afraid you weren’t coming back either.”
“What is it?” he stammered. “Is father----”
She drew slightly away from him, gazing with streaming eyes into his
questioning face. “Why, haven’t you-- But that is incredible!” She
was close to him again. “Bartlett is dead. It--it happened in New
York, from a torn finger and blood poisoning. In two days, Epes; we
hardly got there, saw him. Your father had to go to Boston, and is
just back; but he’ll see you almost at once, in the music room, he
said.”
How like his father that insistent formality was, Epes thought;
nothing, it seemed, was to shake the dignity, the aloofness of Ira
Calef. His manner positively carried with it a chill as palpable
as that now in the streets. He was, of course, both to the world
at large and to his family, the perfect shape of integrity; but
that, with his rigidly correct deportment, appeared to be his only
conception of what was owing, through him, to exterior circumstance
and people. All people--Clia, his wife, his two sons--had been
exterior to Ira Calef; it was always evident that he viewed, weighed
every possible development of living solely in the light of his own
unalterable convictions and wishes. They were, it was true, always
carefully studied, logical; nor were his decisions quickly formed,
in any heat, generous or bitter; it was the inflexible manner, the
finality and detachment of their announcement which made them appear
so unbearably arbitrary.
The music room, like the stair well, was entirely paneled, walls and
ceiling in dark wood, and the mahogany in it, the waxed floor, even
the windows with their multiplicity of small panes, held in replica
the withdrawn, almost morose effect given by Ira Calef himself. He
came presently, in a gait neither slow nor fast, into the music
room, where, without his mother, Epes was waiting. The other’s
show of welcome was, for him, unusual; he held Epes’ hand for more
than the strictly necessary moment, and at once indicated a chair
and the fact that Epes might sit. He was a big man, past sixty,
handsomely proportioned, with a handsome face evenly pallid except
for the discolorations hanging under eyes themselves almost without
a perceptible shading. They were, of course, gray, yet they were so
pale that but for their domineering focus they rather resembled clear
water slightly crystallized with ice. He made an adequate but brief
reference to Bartlett’s death, dwelling for a little on the collapse
of the boy’s mother; and then leaning back and deliberately, for the
time, shifting the conversation, asked Epes Calef for a detailed
account of what on his voyage as supercargo he had accomplished.
Public-domain text, read in full here on John Shaqi.
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