The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
All this filled his brain and throat, clamored for expression; but
not a word, not a protesting sound came from him. Suddenly he was
tired; Epes felt as though the leaden weight of his future already
rested on him. The other made an approving reference to Annice
Balavan; and perversely, for no discoverable reason, in place of the
golden vision of Annice he saw Sumatra, square, like a sampan--and
defiant.
When, for the time, Ira Calef had quite finished the expression of
his balanced judgments Epes rose with the shadow of an instinctive
bow.
“Very good, sir.” The sea phrase was spoken in a voice without
animation.
Above, close by his room, he was mildly surprised to find his mother.
It was evident that she had been waiting for him, and followed,
carefully closing the door behind them.
“How did you find Annice?” she asked.
But to his reply that Annice had seemed well enough she paid no
attention. With a quick, nervous gesture she pressed her handkerchief
against her eyes.
“And your father----”
Epes said nothing.
“Epes,” she cried, in a sudden realization of all that, it was now
clear, she wanted to say to him, “no matter how hard and unreasonable
he may seem, you mustn’t contradict him. It isn’t as though he were
going to do you harm. What he plans is right; he can see so much
farther than we can. And you will be very happy, I am sure, with
Annice. You’ll forget the sea?” her voice rose in inquiry.
“Never,” Epes answered.
Clia Calef shivered momentarily. “I was afraid of something like
that,” she admitted. “And that is why it is necessary for me to speak
to you. You must do what your father wants.”
This was, he thought, in view of his restraint, all unnecessary.
He regarded his mother, seated with her head blurred against the
candlelight, with a mature, unsympathetic attention. Women--the
characteristic feminine world--were very far outside the scope of his
interests and being. Even to his mother he could not explain, seek to
justify himself; his inner being had grown obdurate, solitary; life,
which had once, in the form of blue water, everywhere surrounded and
touched him, had retreated, flowed away, leaving him on that sandy,
meaningless beach. Why did she talk and talk?
Public-domain text, read in full here on John Shaqi.
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