The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
Bright earnestness! Steadfast belief! But two grim city policemen,
coming through the dark street where the brothels are, making their
way swiftly in the gloom, hear the preacher’s voice and raise their
heads. They are not patrolling and have not their bludgeons, but
one immediately gives the other a package he has been carrying
and hurries across the street behind the speaker: a short, burly
man, pink-faced and contemptuous, active and strong, with the bold
insolence and cruelty of the police. The buttons and silver shield
glitter on the breast of his clean blue greatcoat; the forepiece and
shield shine on his heavy cap. Without a word he takes the speaker
from behind by arm and neck, jerks him violently backward, choking
him, and all but throws him to the pavement. “_Here! Here! Here!_” he
cries. “What are _you_ doing?”
Startled, the negro tries to keep his feet and twist his head so as
to see his assailant. He strives manfully to explain.
“Where’s your _per_mit?” asks the policeman.
“Judge tole me Ah didn’t need to have no _per_mit--”
“Git to hell out of here!”
The negro is thrown forward almost to his knees and flung about. Very
firmly he declares: “Ah’ve come here to speak the Word of the Lord
like the old prophets in de Bahble. Folks must know this. Judge he
tole me--”
At that the policeman fiercely tightens his hold, strikes him on the
head with his fist, and hurls him to his knees. The second officer,
a taller man, runs in. And the eager crowd that has gathered in the
dark during these few minutes of parley closes about to see. Again
and again the negro is thrown down, struck, and dragged in the dust.
He continues to gasp out his purpose. The dark cold street resounds
with the noise of the blows, the scuffle, the negro’s voice, and the
feet of newcomers running up to see. At length, tossing along in the
dark amid the crowd, the preacher is swept round a corner and pushed
roughly past a dark little medical school, a cross street, and a
long hospital with a dimly lighted colored statue of the Virgin in a
front gable. Over the way are a dark cold little park with bare trees
and a waterless basin, and beyond this some old public buildings.
The negro’s once neat clothes are twisted, half pulled from him, and
covered with dust and mud, the hand of the policeman chokes him,
but he continues to declare his purpose. The policeman, gripping
him behind, rushes him along; the other follows carrying the round
black hat and half entreating, half commanding the curious crowd to
keep off and go away. The captive is taken round another corner and
in through the dark basement door of a public building. The second
policeman follows and closes the door. Then all go away except me.
Public-domain text, read in full here on John Shaqi.
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