The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
He smiled. “You’ll have to get his own diagnosis,” he said.
“Between you and me, I think he has a high regard for our free
board and lodging. He has the sort of insanity of the hobo, of the
I-Won’t-Works. But he came to it too late in life to make freight
cars and hay-lofts at all attractive. He was too settled down to
wander the world, and too--well, insane to work.”
“Well!” I laughed, “I daresay there are many like him--only they are
quartered on relatives, or wives, or friends.... In ancient days that
form of insanity was highly honorable. It is, isn’t it, the insanity
of the artist?”
His answer was to knock at a door, and a deep and rather pleasing
voice cried, “Come in.” So we went in.
The light flooded brightly through the tall wide window, so that
at first I only saw a dark bulk coming toward us. But I noticed
the walls hung with many strange and brilliant drawings, all of a
symbolical nature, mythic animals and gods, stars and moons, and
landscapes that never were. When I was through blinking, and had my
man on the darker side of me, I saw him quite plainly. He was rather
bulky and large, swarthy and something about his face resembling the
face of a turtle.
His manner was very courteous, but a little absent. The young interne
excused himself, with a private wink at me, as much as to say: “I
won’t interfere”; and so we were left alone.
I offered him a cigar, which pleased him, and we sat in comfortable
armchairs by the window, and were soon plunged in scientific
discussion.... But I saw he was restless. I noticed, too, now, that
his clothes were ill-fitting, worn out, patched and rather dirty;
that his nails and fingers were sooted up with crayon and stained
with ink; that his cheeks and chin needed a shave and his hair was
rather longer than we wear it.
His restlessness increased. He rubbed his chin, gazed about
abstractedly, swung his leg back and forth in a too obvious rhythm.
And at last he spoke in a voice which did not seem his at all--a
voice which appeared to me to belong to some other person. The voice
he had used was quiet and cool, although sympathetic. This new voice
was personal, hot, and almost bitter.
“What is the use of all this talk?” he cried out. “It gets us
nowhere. Intellect! science! theory! brain-spinning! Young man, that
is our modern Devil. Kill him ... strangle him out of your soul. He
is the Devil of the ice, of the cold polar regions. Better a hundred
times the old Devil of the burning hell, for in fire there is also
God!”
For a moment I thought I was coming to psychic fisticuffs with him;
but I reflected, and at once swallowed my pride.
“I see,” I said, looking him in the eyes, “you knew this modern Devil
very well; perhaps intimately.”
He glanced at me.
Public-domain text, read in full here on John Shaqi.
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