The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“What can I say of Losha? She was the one woman whom I never knew. My
intuition failed me. I never understood. Was she ugly or beautiful?
stupid or wise? base or noble? I cannot tell. I only could know her
simple and undivided love, which never forsook me. It was those fires
in which I became as ashes.
“As ashes, ashes.... One cold morning she coughed a great big racking
spasm.... Then she whispered to me:
“‘Trudo, I love you.’
“And she died.... I closed the shop.... I did not need the shop. I
needed only my own soul, which began to dawn in me like the sun in
spring.... And being quite insane, I came here....”
We were silent. He fussed about among his papers and murmured: “I
suppose it isn’t much of a story.”
I smiled at him, but said nothing. Then he showed me a portrait he
had made of Losha.
She was dark and thin, even gaunt, and a look almost of madness in
the eyes.... The tears rolled down the Doctor’s cheeks....
A little later I said goodby to him. We stood, facing each other and
he held my hand.
“I am insane,” he said, “do not forget that. And out there--”
he waved his other hand in the direction of New York, “live the
sane ones. Losha is dead, and Dr. Farraday is dead. You know the
ancients,” he smiled quaintly, “thought the insane were close to the
gods. But that’s a fable, isn’t it?”
I closed the door on him very softly, troubled in spirit.
[18] Copyright, 1921, by _Broom_.
Copyright, 1923, by James Oppenheim.
IN THE METROPOLIS[19]
By BENJAMIN ROSENBLATT
(From _Brief Stories_)
She sat in a show window of a large department store.
“A prize to those who make her laugh,” read a conspicuous sign over
her head. An American flag was wrapped around her slim figure; a
sword which she clutched with both hands rested on her lap with its
point towards a placard announcing a bargain sale.
She sat motionless, her eyes wide open, her face hardly betraying a
trace of life.
All day long she sat there, while multitudes passing on the sidewalk
turned their heads towards her and wondered: “Is it a living woman
or a wax figure?” It was this puzzle which held the pedestrian, and
caused the manager of the store to chuckle at his own cleverness.
When he saw in the morning this bashful country girl shuffling into
the store and asking inaudibly for a job, he caught at the chance
for novelty in the advertising of his sale. Her features were so
immobile; she appeared, on the whole, so lifeless that his agile mind
had promptly pictured her in her present setting.
Public-domain text, read in full here on John Shaqi.
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