The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
They were not nearly so yellow as the sky when Abercrombie walked up
on the porch and sat down upon an immemorial bench, for the sky was
every shade of yellow, the color of tan, the color of gold, the color
of peaches. Across the street and beyond a vacant lot rose a rampart
of vivid red brick houses and it seemed to Abercrombie that the
picture they rounded out was beautiful--the warm, earthy brick and
the sky fresh after the rain, changing and gray as a dream. All his
life when he had wanted to rest his mind he had called up into it the
image those two things had made for him when the air was clear just
at this hour. So Abercrombie sat there thinking about his young days.
Ten minutes later another man turned the corner of the street, a
different sort of man, both in the texture of his clothes and the
texture of his soul. He was forty-six years old and he was a shabby
drudge, married to a woman, who, as a girl, had known better days.
This latter fact, in the republic, may be set down in the red italics
of misery.
His name was Hemmick--Henry W. or George D. or John F.--the stock
that produced him had had little imagination left to waste either
upon his name or his design. He was a clerk in a factory which made
ice for the long southern summer. He was responsible to the man who
owned the patent for canning ice, who, in his turn was responsible
only to God. Never in his life had Henry W. Hemmick discovered a new
way to advertise canned ice nor had it transpired that by taking a
diligent correspondence course in ice canning he had secretly been
preparing himself for a partnership. Never had he rushed home to
his wife, crying: “You can have that servant now, Nell, I have been
made general superintendent.” You will have to take him as you take
Abercrombie, for what he is and will always be. This is a story of
the dead years.
When the second man reached the house he turned in and began to
mount the tipsy steps, noticed Abercrombie, the stranger, with a
tired surprise, and nodded to him.
“Good evening,” he said.
Abercrombie voiced his agreement with the sentiment.
“Cool”--the newcomer covered his forefinger with his handkerchief and
sent the swatched digit on a complete circuit of his collar band.
“Have you rented this?” he asked.
“No, indeed, I’m just--resting. Sorry if I’ve intruded--I saw the
house was vacant----”
“Oh, you’re not intruding!” said Hemmick hastily. “I don’t reckon
anybody _could_ intrude in this old barn. I got out two months ago.
They’re not ever goin’ to rent it any more. I got a little girl
about this high,” he held his hand parallel to the ground and at an
indeterminate distance, “and she’s mighty fond of an old doll that
got left here when we moved. Began hollerin’ for me to come over and
look it up.”
“You used to live here?” inquired Abercrombie with interest.
Public-domain text, read in full here on John Shaqi.
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