The best short stories of 1922, and the yearbook of the American short story
General
The best short stories of 1922, and the yearbook of the American short story
American fiction -- 20th century; Short stories -- 20th century -- Bibliography; Short stories -- 20th century -- Indexes; Short stories, American
“Oh, I’ve heard all that,” he said, “and I’m tired of it. And I’ve
heard the South lambasted till I’m tired of that, too. It’s not
taking France and Germany fifty years to get on their feet, and their
war made your war look like a little fracas up an alley. And it’s not
your fault and it’s not anybody’s fault. It’s just that this is too
damn hot to be a white man’s country and it always will be. I’d like
to see ’em pack two or three of these states full of darkies and drop
’em out of the Union.”
Hemmick nodded, thoughtfully, though without thought. He had never
thought; for over twenty years he had seldom ever held opinions, save
the opinions of the local press or of some majority made articulate
through passion. There was a certain luxury in thinking that he
had never been able to afford. When cases were set before him he
either accepted them outright, if they were comprehensible to him,
or rejected them if they required a modicum of concentration. Yet
he was not a stupid man. He was poor and busy and tired and there
were no ideas at large in his community, even had he been capable of
grasping them. The idea that he did not think would have been equally
incomprehensible to him. He was a closed book, half full of badly
printed, uncorrelated trash.
Just now, his reaction to Abercrombie’s assertion was exceedingly
simple. Since the remarks proceeded from a man who was a Southerner
by birth, who was successful--moreover, who was confident and
decisive and persuasive and suave--he was inclined to accept them
without suspicion or resentment.
He took one of Abercrombie’s cigars and pulling on it, still with a
stern imitation of profundity upon his tired face, watched the color
glide out of the sky and the gray veils come down. The little boy
and his bicycle, the baby, the nursemaid, the forlorn kitten, all
had departed. In the stucco bungalows pianos gave out hot, weary
notes that inspired the crickets to competitive sound, and squeaky
graphophones filled in the intervals with patches of whining ragtime
until the impression was created that each living room in the street
opened directly out into the darkness.
“What _I_ want to find out,” Abercrombie was saying with a frown, “is
why I didn’t have sense enough to _know_ that this was a worthless
town. It was entirely an accident that I left here, an utterly blind
chance, and as it happened, the very train that took me away was
full of luck for me. The man I sat beside gave me my start in life.”
His tone became resentful. “But I thought this was all right. I’d
have stayed except that I’d gotten into a scrape down at the high
school--I got expelled and my daddy told me he didn’t want me at home
any more. Why didn’t I know the place wasn’t any good? Why I didn’t
_see_?”
“Well, you’d probably never known anything better?” suggested Hemmick
mildly.
Public-domain text, read in full here on John Shaqi.
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