The best stories of Sarah Orne Jewett, Volume 1 (of 2)Jewett, Sarah Orne
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The best stories of Sarah Orne Jewett, Volume 1 (of 2)
Jewett, Sarah Orne
American fiction -- 19th century; Short stories, American
I went up the field, following the smooth little path to the side door.
As for using the front door, that was a matter of great ceremony; the
long grass grew close against the high stone step, and a snowberry bush
leaned over it, top-heavy with the weight of a morning-glory vine that
had managed to take what the fishermen might call a half hitch about the
door-knob. Elijah Tilley came to the side door to receive me; he was
knitting a blue yarn stocking without looking on, and was warmly dressed
for the season in a thick blue flannel shirt with white crockery
buttons, a faded waistcoat and trousers heavily patched at the knees.
These were not his fishing clothes. There was something delightful in
the grasp of his hand, warm and clean, as if it never touched anything
but the comfortable woolen yarn, instead of cold sea water and slippery
fish.
“What are the painted stakes for, down in the field?” I hastened to ask,
and he came out a step or two along the path to see; and looked at the
stakes as if his attention were called to them for the first time.
“Folks laughed at me when I first bought this place an’ come here to
live,” he explained. “They said ’twa’n’t no kind of a field privilege at
all; no place to raise anything, all full o’ stones. I was aware’t was
good land, an’ I worked some on it—odd times when I didn’t have nothin’
else on hand—till I cleared them loose stones all out. You never see a
prettier piece than ’tis now; now did ye? Well, as for them painted
marks, them’s my buoys. I struck on to some heavy rocks that didn’t show
none, but a plow’d be liable to ground on ’em, an’ so I ketched holt an’
buoyed ’em same’s you see. They don’t trouble me no more’n if they
wa’n’t there.”
“You haven’t been to sea for nothing,” I said laughing.
“One trade helps another,” said Elijah with an amiable smile. “Come
right in an’ set down. Come in an’ rest ye,” he exclaimed, and led the
way into his comfortable kitchen. The sunshine poured in at the two
further windows, and a cat was curled up sound asleep on the table that
stood between them. There was a new-looking light oilcloth of a tiled
pattern on the floor, and a crockery teapot, large for a household of
only one person, stood on the bright stove. I ventured to say that
somebody must be a very good housekeeper.
“That’s me,” acknowledged the old fisherman with frankness. “There ain’t
nobody here but me. I try to keep things looking right, same’s poor dear
left ’em. You set down here in this chair, then you can look off an’ see
the water. None on ’em thought I was goin’ to get along alone, no way,
but I wa’n’t goin’ to have my house turned upsi’ down an’ all changed
about; no, not to please nobody. I was the only one knew just how she
liked to have things set, poor dear, an’ I said I was goin’ to make
shift, and I have made shift. I’d rather tough it out alone.” And he
sighed heavily, as if to sigh were his familiar consolation.
Public-domain text, read in full here on John Shaqi.
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