The best stories of Sarah Orne Jewett, Volume 1 (of 2)Jewett, Sarah Orne
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The best stories of Sarah Orne Jewett, Volume 1 (of 2)
Jewett, Sarah Orne
American fiction -- 19th century; Short stories, American
For William, this approached an oration. He spoke with enthusiasm, and I
shared the triumph of the moment. “There she is now!” he exclaimed, in a
different tone, as the tall figure of a woman came following the flock
and stood still on the ridge, looking toward us as if her eyes had been
quick to see a strange object in the familiar emptiness of the field.
William stood up in the wagon, and I thought he was going to call or
wave his hand to her, but he sat down again more clumsily than if the
wagon had made the familiar motion of a boat, and we drove on toward the
house.
It was a most solitary place to live,—a place where one might think that
a life could hide itself. The thick woods were between the farm and the
main road, and as one looked up and down the country, there was no other
house in sight.
“Potatoes look well,” announced William. “The old folks used to say that
there wa’n’t no better land outdoors than the Hight field.”
I found myself possessed of a surprising interest in the shepherdess,
who stood far away in the hill pasture with her great flock, like a
figure of Millet’s, high against the sky.
V.
Everything about the old farmhouse was clean and orderly, as if the
green dooryard were not only swept, but dusted. I saw a flock of turkeys
stepping off carefully at a distance, but there was not the usual untidy
flock of hens about the place to make everything look in disarray.
William helped me out of the wagon as carefully as if I had been his
mother, and nodded toward the open door with a reassuring look at me;
but I waited until he had tied the horse and could lead the way,
himself. He took off his hat just as we were going in, and stopped for a
moment to smooth his thin gray hair with his hand, by which I saw that
we had an affair of some ceremony. We entered an old-fashioned country
kitchen, the floor scrubbed into unevenness, and the doors well polished
by the touch of hands. In a large chair facing the window there sat a
masterful-looking old woman with the features of a warlike Roman
emperor, emphasized by a bonnet-like black cap with a band of green
ribbon. Her sceptre was a palmleaf fan.
William crossed the room toward her, and bent his head close to her ear.
“Feelin’ pretty well to-day, Mis’ Hight?” he asked, with all the voice
his narrow chest could muster.
“No, I ain’t, William. Here I have to set,” she answered coldly, but she
gave an inquiring glance over his shoulder at me.
Public-domain text, read in full here on John Shaqi.
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