The best stories of Sarah Orne Jewett, Volume 2 (of 2)Jewett, Sarah Orne
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The best stories of Sarah Orne Jewett, Volume 2 (of 2)
Jewett, Sarah Orne
American fiction -- 19th century; Short stories, American
The father gave a little sigh; then he took heart again. The truth was
that his wife made light of the contemplated pleasure, and, much as he
usually valued her companionship and approval, he was sure that they
should have a better time without her. It was impossible, however, not
to feel guilty of disloyalty at the thought. Even though she might be
completely unconscious of his best ideals, he only loved her and the
ideals the more, and bent his energies to satisfying her indefinite
expectations. His wife still kept much of that youthful beauty which
Susan Ellen seemed likely to reproduce.
An hour later the best wagon was ready, and the great expedition set
forth. The little dog sat apart, and barked as if it fell entirely upon
him to voice the general excitement. Both seats were in the wagon, but
the empty place testified to Mrs. Hilton’s unyielding disposition. She
had wondered why one broad seat would not do, but John Hilton meekly
suggested that the wagon looked better with both. The little girls sat
on the back seat dressed alike in their Sunday hats of straw with blue
ribbons, and their little plaid shawls pinned neatly about their small
shoulders. They wore gray thread gloves, and sat very straight. Susan
Ellen was half a head the taller, but otherwise, from behind, they
looked much alike. As for their father, he was in his Sunday best,—a
plain black coat, and a winter hat of felt, which was heavy and
rusty-looking for that warm early summer day. He had it in mind to buy a
new straw hat at Topham, so that this with the turnip seed and the hoe
made three important reasons for going.
“Remember an’ lay off your shawls when you get there, an’ carry them
over your arms,” said the mother, clucking like an excited hen to her
chickens. “They’ll do to keep the dust off your new dresses goin’ an’
comin’. An’ when you eat your dinners don’t get spots on you, an’ don’t
point at folks as you ride by, an’ stare, or they’ll know you come from
the country. An’ John, you call into Cousin Ad’line Marlow’s an’ see how
they all be, an’ tell her I expect her over certain to stop awhile
before hayin’. It always eases her phthisic to git up here on the high
land, an’ I’ve got a new notion about doin’ over her best-room carpet
sence I see her that’ll save rippin’ one breadth. An’ don’t come home
all wore out; an’, John, don’t you go an’ buy me no kickshaws to fetch
home. I ain’t a child, an’ you ain’t got no money to waste. I expect
you’ll go, like ’s not, an’ buy you some kind of a foolish boy’s hat; do
look an’ see if it’s reasonable good straw, an’ won’t splinter all off
round the edge. An’ you mind, John”—
Public-domain text, read in full here on John Shaqi.
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