The Beth Book: Being a Study of the Life of Elizabeth Caldwell Maclure, a Woman of GeniusGrand, Sarah
General
The Beth Book: Being a Study of the Life of Elizabeth Caldwell Maclure, a Woman of Genius
Grand, Sarah
England -- Social life and customs -- 19th century -- Fiction; Women -- Social conditions -- Fiction
Mrs. Caldwell shook hands with them, but she could not speak; and the
coach drove on. The days when she had thought the two Miss Maynes
presumptuous for young women in their position seemed a long way off
to her as she sat there, sobbing, but grateful for this last act of
kindly feeling.
Beth had been eager to be off in the yellow coach, but they had not
long started before she began to suffer. The moving panorama of
desolate landscape, rocky coast, rough sea, moor and mountain, with
the motion of the coach, and the smell of stale tobacco and beer in
inn-parlours where they waited to change horses, nauseated her to
faintness. Her sensitive nervous system received too many vivid
impressions at once; the intense melancholy of the scenes they passed
through, the wretched hovels, the half-clad people, the lean cattle,
and all the evidences of abject poverty, amid dreadful bogs under a
gloomy sky, got hold of her and weighed upon her spirits, until at
last she shrunk into her corner, pale and still, and sat with her eyes
closed, and great tears running slowly down her cheeks. These were her
last impressions of Ireland, and they afterwards coloured all her
recollections of the country and the people.
But the travellers came to a railway station at last, and left the
coach. There was a long crowded train just about to start; and Mrs.
Caldwell, dragging Beth after her by the hand, because she knew she
would stand still and stare about her the moment she let her go,
hurried from carriage to carriage, trying to find seats.
"I saw some," Beth said. "You've passed them."
Mrs. Caldwell turned, and, some distance back, found a carriage with
only two people in it, a gentleman whom Beth did not notice
particularly, and a lady, doubtless a bride, dressed in light
garments, and a white bonnet, very high in front, the space between
the forehead and the top being filled with roses. She sat upright in
the middle of the compartment, and looked superciliously at the weary,
worried widow, and her helpless children, in their shabby black, when
they stopped at the carriage door. It was her cold indifference that
impressed Beth. She could not understand why, seeing how worn they all
were and the fix they were in, she did not jump up instantly and open
the door, overjoyed to be able to help them. There were just four
seats in the carriage, but she never moved. Beth had looked up
confidently into her face, expecting sympathy and help, but was
repelled by a disdainful glance. It was Beth's first experience of the
wealthy world that does not care, and she never forgot it.
"That carriage is engaged," her mother exclaimed, and dragged her
impatiently away.
Public-domain text, read in full here on John Shaqi.
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